FCVR-071 - Trapped in the Ruins: Endless Deepthroat Hell

*"...Confinement fellatio hell where it's stuck deep in your throat all the time." If you look at the title alone, you can imagine a hard work by Ryo⚫︎. However, when I actually experienced it in VR, that impression was completely reversed. There's only one conclusion I've come to. This is nothing but a lovey-dovey work disguised as Ryo⚫︎! This is because the star of this work is Tsukinoe Sui, aka Sui-chan, who is good at deep throating! Sui-chan has released many deep throat works in 2D works, but surprisingly, this work is a memorable first attempt at a work that allows you to enjoy its true value in VR. And the reaction is amazing. They show reactions one after another as if they have all the elements that a ruthless sadistic man would look for in a masochistic girl. The moment his throat was stabbed, his eyes gradually became bloodshot. Tears spilling from there. Ezuki juice overflows with sobs. The moment it leaves the back of your throat, the drool clings to you, tugging at the strings as if you're reluctant to leave anything behind. And the best part is that she squirts repeatedly every time the back of her throat is stimulated. All of these reactions are spectacular. Indeed, Sui-chan is like a fish out of water the moment she stands on the stage of deep throating. Because of the close-up distance unique to VR, each expression and reaction can be clearly seen, and the performance has more destructive power than 2D works. If you like deep throating, you can say that it's more than worth watching this work just to enjoy this overwhelming reaction. Among the series of reactions during deep throat, what you should especially pay attention to is the squirting that she shows repeatedly every time the back of her throat is stimulated. In this work, Sui-chan is supposed to be mercilessly tortured, but it feels strangely like they are in love. The biggest reason for this is his personality, which can be described as the ``sad masochist nature'' of finding pleasure in pain. While he was deep throating her, she was refusing with all her might, saying, "I can't do it anymore!", but her lower body was like a completely different person. For some reason, the gap between their emotions and their bodies is endearing, and it creates a unique lovey-dovey feeling in this work. This bizarre contrast between emotions and reactions, ``the mind rejects, the body welcomes,'' is a mysterious charm unique to this work. Even though it's a tough situation, it somehow makes me nervous.