Momozono RenaA trap by men exploiting the anxieties of a long-distance relationship! Rena, whose entire body became a sensitive zone, arches her ample breasts while splashing saliva, sweat, and bodily fluids, going wild! Rena and Makoto have been living together for a year and are currently engaged. They spend their days peacefully and are always close, but Makoto receives a transfer order and must work locally for six months. As Makoto's workload increases and communication decreases, Rena initially accepts it as unavoidable, but as she experiences long-distance relationship for the first time, anxiety grows and she gradually begins to suspect his infidelity. She contacts Makoto's colleague, Yano, for advice, but Yano gives her suspicious herbal medicine, claiming it will alleviate her anxietyâŠ
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The initial pace feels a bit fast, but that's necessary to get to the 1-on-1, 3P, and gangbang scenes. However, that only applies if the drama and play build towards those outcomes. The storyline itself, with coworkers lusting after the fiancĂ© and taking advantage of a six-month business trip, is well-done. I liked how they included dialogue hinting at a pre-existing friendly gathering to connect with the coworker and establish a good relationship with the fiancĂ©, and offering contact info in case of trouble. The coworkers' conversations hinting at future schemes are also intriguing. The fiancĂ©'s poor communication skills are a bit contrived as a plot device for the coworkers' scheming, but it's passable. The setup where a call from a coworker triggers the cheating is good. However, the fundamental reason why the fiancĂ© is hated enough by multiple coworkers to be cheated on, including work-related connections, is unclear. That's the biggest issue â it feels like cheating without a proper motive. In terms of the play, it evolves into a gangbang through drug-induced submission, which depends on the direction. The 1-on-1 scenes are fantastic thanks to the amazing performances of Ryoana Towen and Yano. Though, the constant hip thrusts and covering of the ass felt distracting, and I'm intrigued by the potential of the smartphone recording as a weakness. The 3P scene needs to showcase the increased number of actors, but Ryoana's acting is good, the play itself isn't that exciting with only two male actors. The costumes felt like they hindered the actors more than enhancing Ryoana's appeal. The scenes in the bathroom, kitchen, and hallway also lack effective staging of costumes and actions. The gangbang scene feels more about the actors getting in the way than the enjoyment of a gangbang, and the costumes prioritize covering up over showcasing Ryoana. The fiancĂ©'s reaction upon returning home is also underwhelming. Just watching them collapse is enough. The beginning is solid as a drama, but the lack of a satisfying ending is noticeable. Considering all this, I feel like the 1-on-1 scenes with Yano would have been more enjoyable than the gangbang. Ryoana's acting was great, it's a shame the male side couldn't deliver as well.
ăâ»Spoiler Alertă This work tells the story of the protagonist, played by Taoen Rena, whose fiancĂ© goes on a business trip, and is then given a love potion by a colleague of her fiancĂ©'s, leading her to fall into a pit of lust and desire. The key to these kinds of works is arguably whether they can naturally administer the love potion, and this work's pacing goes as follows: ă»FiancĂ© goes on a six-month business trip (âMakes sense) ă»Plans to marry fiancĂ© upon his return (âMakes sense) ă»FiancĂ© doesn't contact her, and the protagonist suspects infidelity (âOkay, I get it) ă»Protagonist knows the contact information of her fiancĂ©'s colleague (âHuh?) ă»Contacts the colleague for advice and is invited in with, "It's not really a place to stand and talk, please come in" (âHuh??) ă»The colleague offers a clearly suspicious medicine, claiming it's "herbal medicine" (âHuh???) ă»The protagonist naively drinks the love potion, saying "Oh, right?" (âHuh????) And so begins the love potion hell. I'll leave the judgment of whether that pacing is good or bad to the viewers⊠The story's structure is very simple. At first, she tries to refuse the colleague's advances because "she has a fiancĂ©," but she gradually gives in to her heart and body, ultimately reaching the ending suggested by the title. Her overwhelming body always surprises me, but I can't help but feel that these kinds of works inevitably "treat women like toys." As a fan, I get emotionally invested, and even though I understand that it's "fiction," I've lowered my rating by a step because I don't know how to enjoy the content. (Of course, I understand that there's a significant demand for this type of content.)
