
3-round special featuring the awakening of true sexual desire for Yamashita Sawa, a rookie AV actress who came from Shizuoka with a dream! Normally, AV sex begins with a first-time AV actor and only happens once, without knowing each other well... However, this time, she first went on a first date in Tokyo with a man she met for the first time and got to know each other before having sex! This sex in a relaxed state after the tension has eased is not seen in ordinary AVs, and the gates of pleasure open unintentionally... Raw sex that couldn't be shown in her debut work! Sawa-chan's moaning face when she really felt it, and her fresh appearance, different from her debut work, are delivered in 3 rounds!










It's so endearing to see her working hard at her first AV shoot. You can also catch glimpses of Yamashita Sawa's kind personality in various scenes. She looks amazing in a yukata in this film. Her full figure is wonderful, but the highlight is definitely the beautiful sway of her breasts during the rear entry scene. This film has a certain depth to it.
Yamashita Sawa, with her beautiful brown nipples and ample breasts, is incredibly attractive. She's very cute, but when she undresses, she shows a surprisingly bold side. The work features her in various outfits, but the yukata at the beginning really suited her. The filming was mostly done with restraints, but I got the impression there were a lot of scenes where the camera was placed and fixed. I enjoyed seeing her cute smile and her swaying breasts in the frontal shots, though there weren't many scenes showing the joining part. Still, her active engagement with a smile and the fellatio more than made up for it. This is a masterpiece!
The entire film is shot with a forced angle, and the male actor's lack of effort is appalling. Most of the first sex scene is filmed with a fixed camera, and even when a handheld camera is used, the connecting parts are too dark to see clearly. The second sex scene is shot entirely with a fixed camera, offering nothing usable. The third scene also relies heavily on a fixed camera, and even when switching to handheld, the actor's laziness makes the connecting parts unclear. And to top it off, it's a slip-in angle. What a waste of money.