
Back by popular demand! Every married manโs darkest fantasy brought to life. Experience the thrill of forbidden pleasure with someone new, fueled by the heart-pounding risk of getting caught. When the opportunity arises, will he give in to the temptation?




















I bought this for the third actress, Sarina Ono. To my surprise, she's wearing moussy jeans with white stitching. The stitching kept catching my eye, but it ended with just kissing and a handjob with a customer. What a waste. I really wanted to see the real thing... The second actress, Alice Suzuki, had an absurd setup with scenes under the register and desk. The fourth actress, Miho Tachibana, was good because her muffled moans felt realistic.
The actress's cuteness and great figure really stand out. The panties and skirt combo is incredibly erotic. There's just the right amount of pubic hair, and the sex scenes with just the bra on are more than enough to get off to. If I had to be greedy, it would've been perfect if they kept the panties on for some 'panty-penetration.' The scene with the family restaurant kitchen staff was also super hot because of the pink underwear; it would've been better if she kept both the bra and panties on until the end.
Alice Suzuki's scene feels way too staged. The act of pretending not to get caught when it's obvious is a total turn-off. It's a shame Sarina Ono doesn't have any real sex scenes. Plus, the fact that he's just a guy sitting next to her makes the 'forbidden' aspect feel weak. Anri Hoshizaki and Miho Tachibana are flawless. The proximity to the wife makes it intense, and watching them try to hold back while clearly feeling so much is incredibly erotic. The little act of checking if the wife is awake while moaning adds a nice touch of quality. It's a mixed bag, but Hoshizaki and Tachibana are definitely worth watching.
The best part of this work is how it overlaps the 'wife' with the 'affair sex scenes.' Plus, all the girls are very sensitive, and their expressions while trying to hold back their moans are great. Basically, the one who should be in trouble if caught is the man, but... โ The scene where she talks to her wife while being touched by a man is a bit of a stretch, but her expression while holding it in is irresistible. โก Seems like a repeat offender. Halfway through, the wife is completely gone, and she just lets it all out. She stops wearing clothes, which defeats the purpose of the premise. She's a cute girl, so I wanted to see more of her holding it in. โข I love the 'attacking while sleeping' trope. So good. I wish they were a bit more careful about the wife's movements, though. She's very responsive, which is great, but still. โ... As always, the cast is beautiful, and both the concept and the sex scenes are top-tier. ร... If they're going to hold back their voices, I wish they'd put more effort into the audio acting.
The previous installment was so interesting in terms of its concept and strangely arousing that I bought the sequel, but perhaps because I set the bar too high for myself, I felt a bit let down. The plot was predictable, and the pacing felt too fast and overly explicit. The only part that was genuinely arousing was the scene with Sarina Ono that didn't involve actual intercourse; it felt incredibly immersive. (The 'customer at the next table in the izakaya' scene). It's a work with a great premise, but I couldn't help but feel that these kinds of concept-driven projects, which rely on plot progression to convey eroticism within a limited runtime, inevitably run into issues.