GAJK-019 - A female student tied up and trained inside a warehouse. A shocking kidnapping, abduction, and confinement incident that occurred in a rural town. A beautiful girl, Nakashiro Aoi, severely violated and used as a toilet.

About three years after the representative series of Muku Label, Nakashiro Aoi VS Sagawa Ginjii's bondage training in sailor uniform (From that day…), Nakashiro Aoi receives bondage training from Sagawa Ginjii again in school uniform. Nakashiro Aoi, born in 1998, was 26 years old at the time of filming this work. As expected, the high school girl or sailor uniform setting feels a bit forced and can only look like cosplay. However, her hair has grown longer than before, giving her a mature and feminine atmosphere, and she is somewhat sexy. Her translucent white skin and hips are still there. But when she's completely nude, the shoulder muscles (unfeminine) developed from swimming in her student days become noticeable, but the wisdom or seckros scenes in this work are mostly done while wearing clothes, so that flaw is hidden. The story is about Nakashiro, disguised as a high school girl, being kidnapped by the elderly Sagawa Ginjii, who lives nearby, and taken to a warehouse where she is tied up with ropes and deprived of her freedom, receiving sexual training and transforming into a submissive M slave. Compared to Muku's work, Sagawa's lines are considerably less, but the compatibility between Nakashiro and him remains the same. In the middle, there's a scene of shame play with a monkey halter in a bamboo forest, genital torture with adult toys and vibrators, candle torture, and tickling with a brush? etc., which are plays not seen in Muku's works. Just before the end, she has her first untying, followed by a nude bath and a Ferrari. It's a rather subtle and flavorful scene. Finally, Nakashiro, completely nude, prostrates herself and begs for bondage seckros. She is tied up again in clothes. The end is finished with insertion again. Nakashiro responds with a cleaning Ferrari. A meaningful scene of squeezing Nakashiro's… as a reward. The end. Works of this kind tend to be dark and gloomy, but I think this work avoids that atmosphere thanks to the skillful acting of Nakashiro and Sagawa. If you're a fan of Nakashiro Aoi and like bondage works, I recommend watching this work along with Muku's works. It's a work that really shows skill.

Overall, the obsessive focus on the buttocks and the bathroom scene were the best. It has a strangely alluring charm… Definitely worth keeping.

*This is the second work in the series to include "abduction and confinement" in the title, following the work starring Chiharu Miyazawa. In the previous work, he was kidnapped and imprisoned at an inn where he rented a toilet while on a school trip, and six months later he was enjoying bondage training. In this work, she is abducted and imprisoned by an old man in her neighborhood on her way to school in the morning, but there is no guarantee that she will be alive until six months later. In both cases, Ginji Sagawa plays the role of the culprit, and he plays a clear psychopath role. However, in this work, there were doubts about the story setting. [Chapter composition] *There are no chapter titles in the DVD version, so here is my idea: (0) Prologue (2 and a half minutes) ⇒The black-and-white footage of Sagawa having delusions of using the neighborhood girl he sees in front of his house every morning as prey for his SM bondage hobby was effective as a psychopath. (1) Abduction/Confinement (6 minutes) ⇒There is no sexual depiction, just the bondage and confinement of the girlfriend in a storehouse. She refused the food offered to her and was forced to fast for 24 hours until the next morning. However, there are few scenes in this series where they are given food. (2) First day of bondage training (18 and a half minutes) ⇒ Even if Sagawa takes a commemorative photo of her naughty girlfriend being creampied in doggy style at the end, she won't notice because she can't see it. In other works in the series, in order to get girls to go to school, it is necessary to use blackmail to keep them from running away. In this work, he remains in captivity, so there is no need for photographs. In other words, in this work, it was effective as a photo of psychopath Sagawa's hobby. (3) Bamboo forest hanging training (8 and a half minutes) ⇒ Sagawa's line reveals that he let her breathe in the fresh air for the first time in a while. In other words, the daily bondage training scene inside the storehouse was omitted. ≪Question≫ Even if she is gagged and cannot scream out loud, is it set up so that there is no risk of someone finding her if she is trained in a bamboo forest with good visibility or left alone for a long time? (4) Bondage hanging training (12 and a half minutes) (5)M-shaped leg training (29 minutes) (6) Candle & whip torture (9 and a half minutes) (7) Training in the bathroom (3 and a half minutes) (8) Bondage sex slave ◎ (35 minutes) ⇒At the end, Sagawa says, "You did a good job. I'll give you a reward," and strangles her, causing her to pass out. ≪Question≫ I don't understand why that would be a reward, as there was no foreshadowing and it was too abrupt. ≪Question≫ In that last scene, it is unclear whether she fainted or died. ≪Question≫ Even if she were to choke to death someday, the kidnapper, Sagawa, would not be able to call an ambulance.

*The general outline of the play remains the same throughout this series, but I liked the flow of the final chapter where the character sits down on the ground naked with his uniform on, begging for training, then getting clothed, then tied up. I don't see it much elsewhere, but I'd like to see it included in the future. In the dogeza scene, they are naked and lined up on the floor with their uniforms on, so it is visually clear that they are being treated as meat vessels on a par with clothing. And the sight of her wearing a uniform and being tied up as she is told will further satisfy the desire for control for those who like clothed bondage. I also liked that the setting was relatively resistant until the latter half. Aoi Nakagusuku's facial expressions were as good as ever, both when she was resisting and when she was giving in.

*Bondage stands out in Nakagusuku's ephemeral beauty. I especially liked the gag scene, which was very sensational, so personally, I would like to see a gag in every episode of this series.