
24 hours of close contact with a married woman who took off her clothes for the first time in four years. ``I want you to see me now that I'm in my fifties...'' We have received news that the married woman/mature woman model, also known as the married woman Ryoko, will be resuming her activities. Directors who are familiar to her head to a rental villa by the sea to entertain her as she returns after four years. Escape from four years of silence, where she devoted herself to housewifery and caring for her immediate family and refrained from any media activities other than Comiket... As if to vent the pent-up feelings she had spent as a serious married woman, she writhes in agony on a trip!




















Seriously, is this Inoue's best work ever?! She's matured so much more attractively during her 4-year hiatus, and she's gotten seriously sexy. Just buy it, seriously! You won't regret it.
As a fan, I'm thrilled to see Ayako Inoue back after 4 years. However, I can't give this a perfect score. While the 4-hour runtime is good, the actually 'hot' scenes aren't that long. The first hour, in particular, is pretty useless. It might have been better if it was directed by someone else. Still, Ayako Inoue doesn't look her age at all and remains incredibly attractive. I liked the red bikini towards the end. I'm looking forward to her future work.
It's been a while since her last work, but the quality is still top-notch! The interview is a bit long, but her face is beautifully captured. Totally satisfied.
*It is a work worthy of being his first work since his return. When he reunited with Karaki and director Takahashi for the first time in four years and several months, he said, ``He hasn't really changed, he looks younger than before,'' and his good looks and aura have remained unchanged. The interview in the car at the beginning was fascinating to hear about the events of the four years and several months during their hiatus (this is important for regular users). Until they reach their destination, the three of them are all smiling and open-minded, and I find it interesting that the interview fills in the gap between reality and work. In the scene with the young actor, even though she was shy as it was her first time in front of the camera in a while, it was very nice and charming. When she gets on top, she blushes and says, ``I'm sorry if I can't do it well,'' which seems to come out of nowhere (I hope so) and really touches a man's heart. She had a nice conversation with the director after she finished with the young actor, and before she went into the shower, and it was a good scene to see her charming side. As her work with both directors progresses, she shows off a bewitching charm that is completely different from that of the young actors in the adult conversations and friendships between them. From the middle of the film onward, I felt like I could see her confidently showing off her role as an actress, saying, ``This is my way of life,'' as the title suggests. One night, after breakfast, I was surprised to see a red bikini as a reward. Her bikini body, illuminated by the sunlight, looked beautiful beyond her age. As both directors said, ``You are a woman after all,'' and it was a precious scene where the adjective ``charming'' suits her as a woman before her work as an actress. In the second half, when the sun was still high and the three of them were having fun together, I felt that her facial expressions, voice, and body became even more bewitching. Throughout the story, her words such as ``Deterioration over time...living in the mud...'' appear throughout the story. There are no people who don't deteriorate over time by focusing only on their appearance, but in her case, the covering of her inner intelligence plays a big role, making her look even more attractive. Ayako Inoue is a beauty with an inner intelligence that sets her apart from what is commonly known as a beautiful witch, which is why she says, ``Ayako Inoue is not just for show.'' I have written down various personal opinions, but it is difficult to convey her bewitching appearance in writing. This is a work that you should definitely pick up and see. It's no exaggeration to say that even if you're not a regular user, you can enjoy watching the actress and both directors, who are always smiling. Finally, the eroticism of her bare skin and yukata is not just for show!
*This is my first new work in a while, so I'm watching it with both anticipation and anxiety. As expected, this year, the first time in four years, is going to be tough. In fact, there were some other actresses who felt offended. However, Ayako Inoue is admirable. I was able to dispel my anxiety, probably the result of my daily training. It looks like she has a thin layer of fat on her skin, but on the contrary, it gives her a feminine, rounded body. As for the content, it is a road movie typical of the Go-Go's. Twin directors Karatsu and Takahashi are rare. Gonzo twin camera threesomes are rare. Ayako Inoue, as usual, shows off her true nature and intrigues us. You can enjoy slow sex at a mature age. This is a great piece of work that will give you the feeling of traveling. However, in this day and age, wouldn't it be better to use a smartphone camera or other camera to take pictures, which is often used in movies? You can enjoy various angles. This time I praise Ayako Inoue and give it 5 stars.