GR-008 - The Complete File: Tomoho Mita - Analyzed and Exposed

At the end of the scene with Sasaki, you can see his massive member being pulled out of Tomoho, and she climaxes as if overwhelmed by his raw power. Around the 39-minute mark during the scene with Yoshida, there's a coupling shot that was quite extreme for its time, though it's hard to see clearly due to the darkness. Regardless, Tomoho is just incredibly sultry, which is great. During the filming of the three TOHJIRO productions for SOD—'The Girl in the Closet,' 'Silver Screen Lolita Serenade,' and 'Perverted Family's Summer Vacation'—she got intimate with Taka-san five times. In the final scene, where TOHJIRO told her to 'make it so you can't think of anything else,' Tomoho even went as far as to say, 'I've fallen in love with Taka-san.' That's why in the main feature, she has him buy her shoes and completely surrenders herself to him, acting spoiled and affectionate. It's a real shame that these masterpieces, all of which are equally important, aren't available for streaming.

1. In the lovey-dovey sex with the well-endowed Sasaki, she says she felt a bit grounded and returned to her true self, rather than being 'Mita Tomoho'. 2. Dark room sex with Yoshida. She confesses she didn't even realize she had climaxed. Looking closely, you can tell it's extremely hardcore for a late 20th-century production. 3. Sex where she acts clingy after a date with Taka-san, where he buys her shoes. During a conversation in the car, they conclude that her breasts growing three cup sizes in half a year is because she's become more sensitive. It's structured this way, and it's all POV/self-shot. She says she was able to fully immerse herself in the act because there was no one else around. Including her next retirement work, 'True Legend Collapse', Tomoho was involved with Taka 10 times across 7 works in about two years—an overwhelming number that even surpasses Erika Yokoyama's 5 times during the period when there were few male actors. In the previous 'Perverted Family's Summer Vacation', she even said, 'I've fallen in love with Taka-san' after he showed her heaven, and in their final scene, she immerses herself in clingy sex that reflects those feelings, ending with a look of complete satisfaction.

Tomoho herself talks about her approach to sex in AV, the moments she shed tears, her thoughts on the sex scenes in the main feature, and her feelings about her scenes with Taka-san, so I highly recommend listening carefully instead of skipping through. What you'll realize is that Tomoho isn't just faking it. You can see this in 'Angel 43,' released the month after this, and if you watch her other videos closely, you'll see that (in most cases) she's genuinely committed. Regarding Taka-san, she boldly confessed that she 'cried because she was scared of where things were going' during her debut, and last time, she admitted that she 'had fallen in love with Taka-san.'

It starts with a lovey-dovey session with Sasaki. During the fellatio, she takes his massive penis all the way to the base, mentioning that she got hooked after it accidentally went all the way in once before (whose was it?). She switches positions from cowgirl to sitting to missionary while remaining penetrated, ending with a stomach ejaculation. While the thrusting isn't visible, the withdrawal is. The vibe is different from her other scenes; she seems overwhelmed by the sheer intensity, whispering after it's over that she felt like she wasn't 'Tomoho Mita' anymore, but her true self. She claimed it was 'one of the top three best feelings ever.' Then, a dark encounter with Yoshida. Around 39:00, we see her in a cowgirl position, and from 40:30, they are joined with her legs spread wide. She feels more like a female animal than a woman, and she says she 'didn't even realize she had climaxed.' Finally, there's Taka. Regarding their encounter three months prior, Tomoho says she felt like she 'drifted away somewhere' and 'wondered what this feeling was,' before boldly admitting, 'I fell in love with Taka-san.' She completely lets her guard down, begging him to 'take me to heaven,' and reaches climax through a session where she leaves everything up to him.

With Sasaki, Tomoho goes to purgatory rather than heaven. It seems the pleasure of enduring the feeling of being broken is exceptional. The scene with Yoshida is too dark to see clearly. She even said, 'I didn't even know if I really came.' If you look closely, you can clearly see the insertion from a rear-entry shot with her on top, as well as the thrusting while her legs are wide open. For the final scene with Kato Taka, since he took her to heaven last time, she starts in a completely submissive, spoiled mode and ends with a sultry, fully satisfied expression.