![GUNM-038 [VR] No Mosaic! High-Quality Anal Observation Part 2](https://cdn.submyav.com/cdn/covers/full/gunm-038.webp)
Returning with the best quality ever! Get ready for an up-close, realistic experience. From skirts lifted at just the right moment to explicit angles you'd never see in real life, this VR experience covers it all. Watch it twitch, open, and close right before your eyes. Every wrinkle and detail is captured in high-definition, no-mosaic glory. A curated collection of 8 different perspectives for the true connoisseur.










*A work where you can enjoy your favorite anal to your heart's content! I'm so excited to see her squat anus from a low angle! I'm very happy to be able to enjoy the finest anal from various angles! I look forward to the next work!
I'm writing my first review to share this excitement with fellow butt-fetishists like me. I think this work completely avoids the common 'the actress isn't really my type' pattern often found in anal-focused content. The actresses, who are high-level in both face and butt, show us their embarrassing holes as much as they possibly can. Buy it. You must buy it. Get intoxicated by their wonderful anuses.
Here's why I couldn't get off: ใปThere's movement, but it's too fast. ใปI wish she'd talk dirtier. ใปThe actresses change, but the plot is always the same, so it gets boring. ใปI want to see her face, too.
*Girls have a high facial deviation value. The image quality is also lower than that of iPoke, S1, etc., but it is still in the high-quality category. All the girls' anuses are shown at close range without any mosaic. This is amazing! The only regret I have is that there was no opening to stretch out the wrinkles in the butt hole itself. Fetishism demands this.
Overall, the quality of the actresses is high, and this is my favorite among VR anal close-up works. As is the case with all her works, Shuri-chan has that little-devil vibe that I'm always very grateful for. It has some JOI elements, so I recommend it to those who are into that kind of thing.