
Hikaru, who lost her parents at a young age, lives happily with her fiancé Tomoyuki. However, when Tomoyuki's father, Ginji, goes bankrupt, his personality shifts drastically. As Ginji begins to act strangely and becomes financially dependent on his son, Hikaru finds herself caught in a web of illicit tension, unable to speak up because she doesn't want to leave Tomoyuki's side.




















Hikaru is cute, and her acting—verbally resisting while her body reacts—is consistent and erotic. However, if the structure was 'one internal ejaculation, one external,' it would have been better to do the external one first. Then, for the second time, have him ejaculate inside just when she thinks, 'I'm being violated, but at least he won't finish inside.' That would have heightened the sense of betrayal and violation. Hikaru's biggest charm is her reaction to unwanted internal ejaculation. If they had done that, it would have been much more effective.
The beautiful Hikaru-chan is usually charming for her pure, clear cuteness, but I felt like that level dropped in this work. She's still cute, of course, but she looks tired, or maybe a bit matronly—the freshness just isn't there. I also wanted a bit more eroticism in the scenes.
This is the third consecutive release since September, a series the studio is clearly investing in. This time, it's a feature-length film of nearly three hours. The heroine is Hikaru Konno, the first 'kawaii-type' in the series. The main male actor is Ginji Sagawa, appearing for the third time in a row. The story's intro, beyond the summary, depicts Hikaru as an orphan who is terrified of 'losing her family and being alone.' (Omitted details) The long drama portion is well-developed, and veteran Sagawa, as well as Konno, gave great performances, with her portrayal of a terrified woman fitting the role perfectly. Personally, I felt that in an entertainment AV, meticulously depicting the psychological background of a decaying middle-aged man threatening and breaking his son's girlfriend—who is already suffering from trauma—made the story too heavy and distracting. I acknowledge the creators' sincerity, but I can't call it 'good,' so I give it 3 points.