
After her husband's death, Mao takes over the factory, only to be targeted by workers seeking revenge. Despite her initial resistance, relentless abuse breaks her spirit, turning her into a submissive nymphomaniac who begs for more.




















*The actress is a cute person with soft-looking breasts. Her moaning voice while being raped is also cute and wonderful. I desperately try to resist while screaming, but I can't move freely when I'm facing three people, and it's no use trying. There are scenes where he is completely naked, and even though he has fallen and become obedient, he is restrained and unable to move. Although I was concerned about a few small points, the actress' performance itself was very good.
Ito Mao is a beautiful woman with fair skin and a great bust. Her performance as a tragic heroine with a submissive side was excellent, making it a work that stands well as a drama. Her expressions while being penetrated—letting out cute moans despite her 'reluctance'—were unbearably erotic and incredibly arousing.
I've bought a few from this series, but many were lackluster. I want to see them being forced by gross old men, but the actresses' acting was poor and it didn't feel forced at all. However, in this one, the actress really captured that 'reluctant' vibe well, and it was very exciting.
Buying 4 titles from the same series is proof enough that I'm satisfied. It's my first time seeing Mao Ito, and as someone who prefers slender, delicate types like Rei Aoki, I wasn't sure what to expect, but I actually liked it. However, it feels like there are more 4P scenes than in the first installment. When there's too much 4P, you get used to it and the stimulation gradually fades. Maybe they should save the 4P for the end. The final scene where they restrain Mao Ito in a standing position and ravish her was the best part, but I wish they had spent a bit more time on it.
Even if you forgive the old men's amateurish acting, since it's Mao Ito, known as the 'pussy-faced woman,' I wanted her to be portrayed as a more submissive, pathetic character. As it stands, it looks like a bunch of old men are bending over backwards to please a masochistic, perverted widow. It's just lacking. That said, her performance in the humiliation scenes is top-tier as expected. It's a turn-on. Full marks for Mao Ito, minus 2 points for the weak direction.