
Mio, a beautiful woman, is asked to have sex with an innocent boy in order to settle her parents' debt. She approaches men on the street and engages in dangerous acts. In a public toilet, they have oral sex with an innocent cock, then they take a boy into the car and have sex with them, and finally, they indulge in taboo sex in a hotel as if they were making love to each other... A sex documentary between an unparalleled beauty and an ordinary man.




















*The work that made me fall in love with this series is Mio Kimishima's edition. Personally, I recommend the scene where Mio takes the boy to the bathroom and plays tricks on him, it's so erotic that you can enjoy Mio's body as well!
The lead, Mio Kimijima, debuted as a legendary soapland girl with a one-year waiting list in Nakasu and became a huge hit, but I burst out laughing when the loan shark asked, "Do you have experience working in a soapland?" This was likely just to fit the script's requirement of "working in the sex industry to pay off debts with her body." However, the script is sloppy; the loan shark character is so intrusive and annoying that it's actually unpleasant. Meanwhile, Mio hesitates with the first shota boy, perhaps out of guilt, and stops at oral. But after masturbating in the car, her shame seems to vanish, and she allows the second boy to ejaculate inside her. This second scene is car sex, likely to save on production costs. By the third guy, she seems to have given up and happily accepts being impregnated via cowgirl position. The final mixed bathing scene feels like a bonus and lacks any narrative necessity. Overall, the loan shark's voice-overs are annoying, and for a title claiming to be about a "prostitute," having car sex with a child makes the low budget painfully obvious. I'm docking one star, giving it four.
*There are other series about shota-hunting prostitutes, but this is the only one where you get the feeling that they're dealing with shota who don't know anything. In other works, the prologues are okay, but I think the epilogue is forcing people to do something they don't like, which is what ``hunting'' means. As the title suggests, it's not just an AV, it's a drama-like project, so if you understand that and watch it through, I think it's interesting. I wish other works had scripts like this.
The guy on the sidelines is seriously the worst. Shut up. Or better yet, just don't be in it. What's even fun about him saying things like 'Oh, it came out'?