
Reiko, a widow raising her son Ichiro alone, has been struggling with pent-up desires. Her world turns upside down when she finds a magazine featuring women her age in her son's room. Realizing what turns him on, she develops an uncontrollable obsession. When she catches him masturbating and sees his morning wood, her restraint snaps, leading to an inevitable, taboo encounter.




















With Kobayakawa-san and Uchimura-kun, I was expecting endless kissing, but it wasn't quite there based on the sample or the actual purchase. I really wanted to see a kissing marathon between them on par with the same director's 'Maki Hojo: Spending the night in the same room with the female boss I've always admired at a business hotel'.
This is a 'mother-son' series where the mother initiates the seduction. The story of a widow losing control over her lust for her son, who reminds her of her late husband, is perfectly fine, and both the actress and actor performed well. However, the production quality is incredibly lazy; the props are half-hearted, and the staff's lack of effort is glaring. The photo of the 'father' looks like a random stock image, and the Buddhist altar, despite it being seven years since the husband's death, looks pathetic. There are two candle holders, but they don't even match—it's full of inconsistencies. It would have been better to just leave them out. While you might overlook these things in a documentary or gimmick-based AV, in a drama-focused production, these details really stand out. I felt a lot of dissonance here; despite the actors being above average, the poor direction forces me to give this a harsh rating.