
不要不急の外出自粛のご時世。中古車販売会社を経営する「裕也」は人と会うコトが多い為なかなか家に帰りづらい。妻の「ひまり」は家に夫がいない上に外出もロクに出来ず、裕也の連れ子「あつし」がニートのような生活をしており、ストレスだらけの巣ごもり生活に辟易していた。そんなある日、裕也は隣県へ出張る為、本格的に家を空けるコトになるのだが…。ひょんなことから年齢の近い義理の母子は引きこもり部屋という密室空間で2ヶ月間にも渡り、汗と精液と愛液の匂いにまみれながら獣のように肉体を貪り合う関係に陥るのであった。




















*Even if the story is a little vague, Himari Kinoshita's acting makes up for it. Himari-chan gradually becomes bolder in the mother-in-law setting. I like the lewd look on her face when she feels her own fingers in her vagina. The way she gets down on all fours and twists her body while giving a blowjob, and the way she's shaking her hips violently in cowgirl position and getting pleasure are irresistible.
*The subordinate who was taken care of in the first movie. The second film is about a stepchild who has aged well. I understand that in this third work, the age of the actor was made younger to match the age of the actress, but given the age difference and environment, the story begins without finding the reason why she married her husband, so there is still a feeling of discomfort, and there is no frustration or crazy sexual desire. I don't really feel that way, but I want to ask, ``What was it that I wanted to show?'' It's a sloppy setting of ``staying in a nest,'' and it incorporates a flow in which the senior who borrowed money has sex, and because of that, the excitement that leads to ``pregnancy'' is diminished. Even if Himari Kinoshita shows off her depravity towards things that shouldn't be done, she is shown outings that have nothing to do with her pregnancy, and then when a man who has creampied her so many times says something like, ``I didn't cum today, it's okay, right?'', the only response I get is ``What are you talking about?'' If it's a work that wants to excite people through ``pregnancy'' with a specific person, I think it's better to avoid the rough developments seen in other works and end with a deep and violent one-on-one scene. If the series is to continue, I hope it will be produced with a thorough review of the theme.