GVH-646 - Forbidden Nursing Mizukawa Jun

*Worst in the history of forbidden nursing care! First of all, the old man's yukata and the Western atmosphere of the house are too open! I don't feel like I have much money! When she comes home, it's okay to use the usual futon set... A son sells his wife to get money from his father... Moreover, they can be switched by playing blindfolded?! You can tell by the unique smell of an old man! I feel weird hearing my voice from far away when I'm having sex! Moreover, it's all creampie, so I can't come out!

NTR is a popular genre, and I really liked the setup where the woman ends up as a stranger without even realizing it. It's just a shame that so many works in this style rush the plot in the second half. It would've been a masterpiece if it had maintained the initial atmosphere.

*nursing care? Since they are objects, the hardness of Mizukawa's usual works is modest. However, there is a lot of rare play such as chewing, licking the face and whole body, and there are multiple squirts. It's a highlight to be able to enjoy the solid acting of Jun, who is easily overly emotional and reveals his true nature. You can enjoy just watching their disgust at betrayal, how they flop their legs in embarrassment, and their bewitching expressions when they stare at each other. The plot is about a married woman who is forced to have sex with an old man in exchange for collateral for a loan. They switched places while playing blindfolded with her husband...but there were plenty of tsukkomi points, such as talking about his beard, his physique, and his old man. Well, that's what it is. The voice recording with the husband in his panties is humorous, and the play involves blindfolding, inserting a vibrator, and various positions, but coupled with the strange background music, it may not be practical. I was so impressed by the facial expressions of the two actors. In the second half, Jun is shocked to find out that they have been swapped, but he can't forget having sex with the old man and is in agony. I can't stand it anymore so I start fucking her in the opposite direction. The eye mask comes off and you can enjoy your beautiful face. Her facial expressions are amazing, and just her eyes are erotic! The atmosphere makes you want to say that. The play and angles are practical enough, such as tongue kissing in sitting position, close-up shot after creampie in spider cowgirl position. Face licking in the after play has been synonymous with Jun's past life, but you can fully enjoy it in this work. It's naughty... Jun can't be satisfied with her husband, but she can't get over the act with her father-in-law. The old man gets mad at her unruly attitude and deep throats her, but she smiles and does yoga and reveals her true nature. To the last play in naughty underwear. The foreplay in this work has almost no rubbing or finger insertion, and is focused on licking. As Jun writhes in agony as he licks his entire body, the actor who plays the grandpa can't help but blurt out the words "cute" and "erotic" in a very real way. The actor's movements are a little more restrained, but Jun is still the same as always, such as squirting repeatedly from the back and violently bucking his hips in the backward sitting position. The sight of them playing with her breasts while holding her bra in their mouths, sticking out their tongues and feeling the turbulent state of their bodies is a sight to behold, and the way they clean up after the finish and kiss while looking at each other leaves a lasting impression. At the end, Jun is restrained with shackles and legs, and his eyes and voice are completely gone. Despite the teasing play, he breaks the shackles and pushes the old man down, which is the ending. Regardless of the setting, you can enjoy Jun in various ways, such as being disturbed, reluctant, or in agony, and I think this is a work where you can enjoy situations unique to Kikatan.

*This situation is disgusting. I mean, I can't think of it! ? If you do something like this, will there be a rift in your marriage? Jun Mizukawa, who plays the role of a married woman whose rationality collapses, is amazing.