HAVD-794 - Addicted to My Father-in-Law's Filthy Kisses: Yui Hatano

After reading the review by Jikkuri Yukkuri, whom I always admire as a great reviewer, I decided I had to watch this. Released on Dec 8, 2011, Yui was 23, born May 24, 1988. The stepfather is played by Sagawa—who else? He torments her relentlessly. Eventually, Yui gets into it too. Then, about 30 minutes of intense action with a young worker. But then... afterwards, she gets intense with the stepfather. Regarding the 'serious social issues' aspect, I completely ignore that. The scenes between Yui and Sagawa, and with the worker, were great. It's 3000kbps, but the image quality is nice, and the mosaic is from before it got worse.

It depicts her constantly having sex with a gross old man day after day, and getting completely lost in the kissing. I didn't think much of it at first, but there's a lot of deep kissing and it's actually a very watchable piece. The actress wasn't really my type so I docked a point, but this series might actually be good!

*I think the scene with his brother-in-law was good. She is my favorite actress these days.

*Regardless of the story and the beeps, she is beautiful and has beautiful skin. I like the style. It's a shame that the atmosphere is so dark, but the materials are good. I think I'll become a fan.

I always thought this director was unhinged, but this is on another level. It wouldn't be surprising if this were pulled from shelves immediately. So much of the dialogue is censored with beeps, but I can't tell if it was the director or the studio. What's scary is that you can still piece together the general plot. This wasn't just some sick joke; it was clearly made with full intent. It's a story about a married woman forced to satisfy the sexual desires of her dying, radiation-poisoned stepfather and his friends after working at the Fukushima plant. Watching her get trapped in the forbidden pleasure of being violated by men whose bodies are literally rotting away is the ultimate form of depravity. The lack of internal ejaculation scenes is perhaps the director's only shred of conscience. It ends with the stepfather, sensing his own death, hinting at a terrorist attack on the plant. Honestly, I don't think a more dangerous film could be made in Japan right now, but maybe that's only possible because it's an AV. I'm giving it this score for the director's sheer audacity. They definitely created something no one else would dare to copy.