She's sweating, convulsing, and just going wild... it's perfect. Really plays into the fantasy of a wife who loves sex.
They skipped the shower scene together, which was a shame, but there's post-bath fellatio and semen drinking. Hearing she'd never tasted another man's cum before... bliss.
The sneaky groping leading to straight-to-penetration sex is just *so* erotic, with Hikaru really shaking and moaning.
Konno Hikaru plays a 30-year-old housewife, the same age as her official age. She married a truck driver she met while working at a girls' bar, but their sex life has been obligatory for about two years because they haven't been able to conceive. The setting is rich with information, including her desire to have a child to the point where she's considering fertility treatment due to the anxiety of her reproductive age passing.
The male actor, despite playing a 21-year-old, has slightly questionable hair and skin, but his youthful tone of voice and acting that doesn't exude veteran vibes are good. The actress playing the housewife who enjoys a virtual romance with a college student who likes older men and also works part-time in childcare is also excellent.
The scene where the man removes her bra lacks sensuality, but the sex scene where they are both completely naked is good. The climax of the sex after two years, where a large penis seems to tear through her and thrust deeply in a riding position, and the semen is squeezed out through a condom with a strong desire for conception, is a good prelude to the latter half.
The bold decision to cut the shower scene is a dramatic change, and the scene where the two, both former basketball players, bond over their shared interest is also well-paced. The sex at night is initiated by the man, and it's a classic script where she's forcefully penetrated raw. Her rejection, saying she's not on birth control and might get pregnant, is a sophisticated direction because the viewers know the housewife is considering fertility treatment, allowing them to see her inner conflict.
The high-quality death game of wanting to shake her hips wildly but being stopped by the guilt of potentially getting pregnant while being sexless with her husband is captivating. While the insertion is cleverly concealed by the man and ignored by the woman, the next morning scene shows the housewife's hidden affection for the man who impregnated her, with her brain overflowing with happiness chemicals – a great performance. The sex, fueled by a resigned acceptance of her desire to have a child, is fully committed, even to the last drop of semen.
The pin-blurred close-ups, which were also a tendency in the previous work, are a bit concerning, but it's acceptable given the amateur setting. The ending doesn't have any particular ingenuity, so I'd like to see more growth in that area, but overall, this work is a high-quality result that makes you question whether the change in director was a mistake.
In particular, the portrayal of the human compatibility with the student adds psychological depth to the insertion with the intention of getting pregnant, and Konno Hikaru demonstrated the skill of a veteran actress by perfectly capturing the housewife's subtle emotions depending on the situation. This was a truly impressive work.
