HERW-017 - Idol late for shoot, gets shaved and cumshot

It's shallow. What exactly are they trying to pull off in 2013? The content completely ignores the trends of the time and the limitations of the video quality.

A work themed around shaved 'paipan'. Yui Fujishima is a beauty, but the slight gap between her eyes is charming and cute! The shaved stubble on her thick bush looks great. And the shape of her pussy is top-tier! But above all, her 'rocket breasts'—a rare find—make her body even more erotic. I don't think anyone else has them besides Mai Ogino. Her rare moans of 'ha-ha-ha-ah' and her 'I'm cumming' face at the climax are just adorable! Her facial expressions are incredibly arousing. The close-up of her pussy after the creampie has light enough mosaic that you can see the labia, which is super exciting. It's a shame the sex scenes were short and there wasn't much full nudity. The cowgirl scene in the second half would have been better if she were fully naked!

I thought she looked like her in her natural state, but that resemblance faded once the sex started.

It seems to be a series that captures the 'real' side of actresses without a script, but the setup feels forced, similar to the 3rd installment, making it mediocre compared to parts 1, 2, and 4. It starts with the actress being 2 hours late, and as punishment, they barge in while she's showering and demand she shave. She resists, but they show a scene of a phone call to the agency claiming they've already given the green light. Even after that, she pretends to dislike it while getting shaved until she's completely bare. Following that, under the guise of 'punishment for being late' and with the agency's 'consent,' they restrain her in an M-spread position and torment her with toys. After that, it's just mat play, standard intercourse, and two scenes with internal ejaculation finishes. Is the runtime being about an hour shorter than the others really because of the lateness? They keep harping on the responsibility for being late, but the shaving was definitely pre-planned.

While C. Matsu is famous for POV, this director (let's call him 'Ho') differs in that he doesn't bind himself to formats or time limits, instead drawing out the 'raw, authentic self' of the actress. It starts with her being late (you get to see Yui's real face, and the 'Wait, I didn't hear about this!' moment when she realizes she wasn't briefed by her agency). Because it's not formulaic, it slowly builds up, and the way she transitions from 'actress' to 'the real Yui'—along with the unexpected happenings and role reversals—creates a genuinely exciting viewing experience. Some reviews called it 'amateurish and dragging,' but while a typical C-style production would focus on 'start, stop, and making it look pretty,' Ho shoots from a 'user's perspective.' The varying runtimes are understandable; you can't force a raw performance into a fixed timeframe, so the long duration makes perfect sense.