
Neglected by her husband, 40-year-old Sue finally gives in to her repressed desires and crosses the line with her son. Little did she know, her masochistic side thrives on her son's arrogant and aggressive behavior, leading her into a spiral of depravity.




















The first half features the son (Akira Ono), and the second half features a neighborhood youth (Kishi); these are independent encounters with no real connection. As other reviews have noted, the biggest deduction is the lack of real ejaculation from the male actors. They ejaculate a total of four times (one internal and one facial each), but it's all fake fluid. Does saving on male fluid cut production costs? However, the first half has plenty of highlights. Close-ups of tongues entwining, armpit play, sucking nipples while sitting on thighs, riding on top with legs wide open, and prolonged exposure—it's a series of niche fetish scenes rarely seen in other works. The way she eyes his 80-degree erection reaching his navel, pulls threads of pre-cum with her fingers, licks the urethral opening, and then covers it with her lips to suck out the fluid with a look of relief—that part is supreme. Also, Yabe-san looks genuinely pleased by the thrusting of his massive member. The squelching sounds during doggy style are top-tier. The second half with Kishi is admittedly lackluster. If they had kept the momentum of the first half and actually ejaculated, it would have been a masterpiece.
A long, drawn-out mess with no plot. It’s just a frustrated woman having sex with her son and a guy who brought over a neighborhood circular—there’s no substance. It cuts from a shower scene to her son’s room where she forces him... Two ejaculations, both internal and facial, but they’re all fake-outs. She grabs the glans and it comes out of her palm—what the hell. The neighbor gets the same fake-out treatment. On top of that, the actress’s performance felt forced and awkward. A total letdown.