
The hit series continues! A busty starlet poses as a mannequin behind a massive glass storefront. With every passerby watching, she's taken from behind, struggling to keep her composure as her deepest shames are laid bare for the entire street to see.
It's a title that definitely shows its age. But even though it feels dated, I feel like it's a work that finally makes sense in today's context. The performer is a real beauty, so I don't think it's a waste to buy it even now.
This is a humiliation-themed piece where a girl posing as a mannequin in a shop window is constantly harassed from behind. It looks like they used an empty store in Tokyo; while foot traffic isn't heavy, the location and passersby seem genuine. Filming is interrupted a few times. The first half, featuring Mizuho Ayahara, follows the concept wellโshe has to maintain a mannequin-like pose and keep a straight face even while being harassed, which effectively conveys tension and shame. However, the second half with Kaori Nishimura & Kana Oki abandons the mannequin premise, making it feel like they're just being harassed behind a curtain. I couldn't tell how it differed from director Kai's 'Face is OO, Body is in the Car' series. Also, as other reviews mentioned, the director's constant chatter was incredibly annoying. The bonus footage is a 1-on-1 indoor session, but the poor camerawork makes it look like a fake, and it feels like a rushed digestโcompletely unnecessary. (The Kana Oki segment, in particular, had such shaky camera work it was unwatchable.) Total runtime is 120 minutes (100 min main, 20 min bonus), with JVPS-standard mosaics. There are 6 sessions in total, with each of the 3 actresses doing one in the main feature and one in the bonus.
The first actress to appear is really cute. Plus, there's a sex scene at the end that feels like a bonus, which is nice. The other actresses weren't that great.
She's actually standing inside a shop window. The passersby aren't actors, either. The standing doggy style on the cover was nice, but I wish he'd thrust harder, enough to show on her face. Because the actor's body kept hitting the curtain behind them, it looked unnatural and prevented him from going any harder. Honestly, they should've just gone with a power drill scene instead.
I didn't think it would be that bad, so I rented it, but the director's constant talking really kills my focus and interest. It's a shame because the concept is interesting and the content isn't bad at all. From now on, I wish they would move the director's voice to an alternate audio track.