
No foreplay, just straight-up raw pounding. She's forced to climax repeatedly while he ignores her pleas. Continuous, high-speed thrusting and multiple creampies that leave her twitching and begging for mercy.










It's just constant pounding, so personally, it was great for getting off. I think it's a good work. If you're going to buy it now, though, I'd recommend looking for a cheap used copy.
*While moving, we had an honest interview and brought out the word that she was not satisfied even if she was creampied and went to the studio. Yuu was suddenly attacked when she was hiding, and he suddenly creampied her. It is inserted immediately and the piston is inserted again. I'll stop here and take a shower. She was assaulted in the shower and now in a 3P state. However, it is very difficult to see due to backlight. Move while being poked, put on make-up while connected, and wear a maid outfit that doesn't cover your breasts. While being poked, I signed autographs and took pictures. Even when I moved to the bed or sofa room, I was constantly attacked. My daughter is also smiling like crazy all the time. It's not fun to watch and I don't feel like pulling it off.
*The content itself is a copy of a project similar to that of another company. Because it was taken from a different angle. It was very fresh and I personally liked it better. Body fluids, kisses, etc. are vivid only for Honnaka. Sex interviews, angles, and voices of people holding back I felt like it was shot in a more erotic way. Minori Kanan is my favorite actress. The number of books was increasing and I was getting into a rut. I think the timing was also good. After all, I reconfirmed that she is both erotic and cute.
Other studios have similar concepts. The interview in the first half is pretty standard, and the action is just average.
*Here we go, a project that sometimes leaves viewers behind. What is the concept for the first half? What genre should I watch it in? The camera work is also terrible. I wonder if things got a little more exciting in the second half.