HND-816 - 寝取り屋痴女×逆輪●テレビ電話 元カノが依頼した寝取り屋女に浮気現場を仕組まれて愛する今カノの目の前でハーレム逆輪●中出し動画をテレビ電話で晒され続けた僕。

Fukada-san carries the show as a 'netoriya' (cuckoldress). The other two are just side characters. It's not a reverse 3P or 4P with three leads, but rather Fukada-san with two supporting actresses. Just a heads-up.

Eimi Fukada is incredibly erotic and the best. Her verbal expressions are so sexy that you can't resist the temptation just by listening, and when she shows off that body, it's impossible to hold back.

*A work about revenge and an unusual situation. Fukada-san is still beautiful.

Eimi Fukada is going all out, and it's incredible. (Maybe a bit too much, actually.) The supporting actress Meiko Nakao (NOA) also participates fully in the sex, so it's nice that they didn't waste the cast! If she were being broadcast via video call in this state, it would be obvious she's being forced, so maybe she'd get a pass for it (lol). I really hope they make this a series!

Director Nao Masaki has a knack for skillfully depicting men falling into depravity through female seduction. This work was excellent in how it carefully portrayed the flow from the (orchestrated) meeting to going to the hotel, and the way the man gets ensnared while showing his ulterior motives. And Eimi Fukada's acting after arriving at the hotel is superb. Teasing him by flicking her tongue right at the edge of his penis, then making him crawl to instill a sense of abnormal submission while he begs for fellatio, followed immediately by, "If you date me, I'll do things that feel better than anything you've ever experienced." The melting cowgirl position where she gently yet intensely drives the completely corrupted man wild. After that, the man becomes a prisoner of Eimi Fukada and falls right into the trap. Knowing that she will turn on him later makes the seductive sex scene in the hotel even more dangerous and alluring. I also liked how it ended with a lingering feeling, showing her as a benevolent, angelic figure tormenting the man who had become a shell of himself. This is a work that truly shows the essence of Director Nao Masaki and Eimi Fukada.