HND-828 - 気持ち良すぎて思わず叫んじゃうごめんなさいGスポットずーっと腰振り回し続けるイクイク騎乗位中出し 花音うらら

The gap between her cute face and the incredibly thick bush down there was just irresistible. That said, this particular work was just average.

色白な体と相まってマン毛がボーボーなのが卑猥。しかもその卑猥なおま〇こからザーメンが流れ出るところがエロい。

I bought this because I like cowgirl positions and thought it would be intense, but it was underwhelming. First, as I wrote in the title, the belly fat (sometimes forming 2 or 3 rolls) was distracting the whole time. The belly in the sample images isn't saggy, so they might have edited it. The 9th sample image is the only one that looks like the actual footage. While the all-cowgirl position and her frequent climaxes were good, I would have preferred to see a beautiful waist without excess fat. Also, the camerawork was terrible. I was shocked that for the first three male actors, the cowgirl cum-inside scenes were just close-ups of the connection from behind (actress's butt, actor's balls, mosaic on the connection). You couldn't see the actress's face or body, just heard the actor shouting 'I'm coming!' from afar... Plus, the camera was constantly tilted sideways, making it very hard to watch. As a result, while the frequent climaxes in cowgirl position deserve 5 stars, the other negatives were too significant, so I'm giving it 3 stars.

*I think it looks too good in the package photo, but it's cute enough in the video as well. Anyway, the beauty of this girl is her pubic hair. The shaved pussy boom from a while ago has died down, and the number of girls with underwear has increased, which makes me happy as an under fetishist.

*Anyway, her cute aura is exploding all the time. The way she moves her hips back and forth with all her heart in any position (back, missionary, cowgirl) is so cute. Even though she apologizes, she shows no signs of stopping, but even though she apologizes so cutely, I forgive her lol. Every time she shakes her hips, Urara-chan's small butt is so cute that you can watch it forever. This is a work in which Urara-chan's hips continue to move throughout the second hour of recording time.