![HNVR-036 [VR] Accidentally Creampied My Married Childhood Friend](https://cdn.submyav.com/cdn/covers/full/hnvr-036.webp)
I visited my childhood friend, believing in a promise from the past, but she’s married now and wants nothing to do with me. As I turned to leave, her defenseless ass was just begging for it. I couldn't help myself and thrusted right in, cumming instantly. Trying to cover my tracks, I kept pumping, but her wet, tight pussy felt so good that I lost control. I ended up fucking her relentlessly and creampied her again.










*Slip on your underwear and put it in ◎ It feels better than my husband after pulling out ◎ There is a lot of noise, so be careful if you are concerned about it. Image quality ★★★★☆ Sound quality ★★☆☆☆
The scenario is a bit of a stretch, but it totally works lol. Based on the sample, it's exactly my type, so 5 stars for visuals. Honestly, the acting isn't great, but the amateur vibe is a plus for me, so 5 stars anyway. The camera angle for the missionary position in Chapter 1 is great, and the outfit is super erotic—excitement level MAX. The missionary position in Chapter 2 is a bit too far away, which is a shame, but it's within the acceptable range.
The runtime is short and there's only one sex scene. It feels like the camera is further away than in the sample. The image quality is clear and the actress is charming, so it's a bit of a waste.
A beautiful actress with sharp, striking eyes. Some might feel the plot moves a bit too quickly when she gives in.
It's a story about a virgin forcing himself on her and finishing inside, but Natsuki Takeuchi doesn't seem to mind that much... When he first enters from behind, she just says, 'Wait, what are you doing? Stop, pull it out!' without ever looking back at him, which felt unnatural. I felt the premise was a bit forced. Natsuki Takeuchi herself looks a bit different from the sample images, but she's a slender beauty with long, upturned eyes. The cowgirl position with her panties pulled down was good. Image quality is average, as are the camera position and distance. Personally, I find that director Koara Taro's camerawork never really misses.