
A sudden betrayal and tragedy. What will become of the daughter waiting for her mother's return...? Fujimura Natsumi lives with her stepfather, Seiichi, who is not her biological father. After her mother's imprisonment, she lost her job and supports the family with part-time work, but her stepfather is a drunkard who squanders her earnings. One day, debt collectors come to the house. It turns out her stepfather has been working at an illegal casino in secret and has been using the casino's money. As a way to settle the debt, her stepfather attempts to sell Natsumi.




















The resigned expression at the beginning was good, but why is the stepfather getting involved? I could maybe understand if it was forced, but this makes no sense.
那賀崎さんのコンデションがとにかく素晴らしく、薄化粧のせいか「少女」ぽさが加味されて絶品。 監督特有のレトロでカオスな世界観により、少し「土臭くて野味」さが漂うVHS全盛期のFA作品を観ている様でした。 染島さんの輩っぷりも、安さんのクズっぷりも健在ですね(^^) 絡みは「あの頃」のFA作品に比べるとおとなしめ。現在とは違い「便利な物」の無い時代にあった閉鎖的でエロスに貪欲だった猛るような荒々しさが失われてきてしまってもしょうがないのかもしれません。
Yukine's visuals are stunning. The way she's sold off to pay her father's debt and selflessly offers her body for his sake is incredibly erotic. And the relationship with her father is just… twisted, in a funny way.
This was easily my favorite of the year so far. The dynamic between Yukine and Daikichi was hilarious. I'm really enjoying the focus on Daikichi lately. The contrast with the beautiful women is incredible. Please, more work with beautiful women!