HQIS-010 - Erotic Winter of the Showa Era: Ravaged by Lustful Men

It's good that Kyono has three sex scenes. Her signature grinding piston move in the woman-on-top position is also on full display. The only regret is the lack of dirty talk. She's an actress who can pull off dirty talk quite well, so if there had been more of it, it would have been a much more exciting film.

*A woman's passion burns in the nostalgic scenery of a rural Showa era: a hearth, a brazier, a shoji screen, a Goemon bath, and a woman in Japanese clothes. A lewd wife has intense sex with her husband the night before he leaves for work, and despite her husband's words, ``Don't have sex with other men,'' she gets involved with two men as requested. The melancholy rural scenery and lewd story blend well together, and thanks to Mirei Kyono's excellent performance, it is a prestigious work. The beauty of the kimono is quite erotic, and there are two scenes where she takes off her tabi, and when the dirty soles of her feet come out from the white tabi, it's so erotic that I got a chill. Many of Mirei's works are erotic and excellent, including long ones.

Kyono Mirei's beautiful naked body shines even within the old Showa-era house. The scene where she's in the Goemon bath, filmed from a ceiling camera, is particularly excellent. She plays a lustful wife who treats sex as a daily routine, as if it were the center of life in a farming household. She even kicks her own daughter out of the room to focus on her acts. She has sex three times—with her husband and two lovers—and the scene with the first lover (Mitsugu Soejima) is the most erotic. Her dirty talk while stroking his penis, saying things like 'It's so hard, it's erect,' is top-tier. Her hip movements while riding, twisting back and forth, are a sight to behold. At 43, Kyono Mirei seems to have everything required of an AV actress. Her looks (she has beautiful eyes if you look closely), her body (perfect amount of flesh, firm glutes, beautiful skin), her acting ability (truly worthy of being called an actress), and her technique (oral, body movement, moans)—everything is flawless. I hope to see her in more high-drama works like this. Since she looks great in a kimono, a 'landlady' role would be perfect.