
昭和の時代…。飯倉家にはお澄とお杉という二人の女中が仕えていた。家の主人の飯倉精吾という名の知れた作家であり、かなりの好色者であった。病に伏せた妻の代わり、女中のお澄と関係する精吾。しかし、妻の世話をするお杉には病の感染を恐れてか手を付ける事はしなかった。ある夜のこと、遂にお杉は精吾の下に呼ばれる事となる。貧しい身の上故に、男に抱かれざるを得ない女中たちの哀歌、丹精込めてヘンリー塚本が贈ります。




















In that era of master-servant relationships where one had to serve their husband with all their heart, did they just have to take whatever was done to them?
The actress's looks are just okay. FA Pro's obsession with older women is still going strong, but I can't help but think it would've been way more exciting if she were younger. The theme is great, so it's a real waste.
*Aoi's interaction was the best. I enjoyed the unique shadowy lighting and the vividness of the sex. I can't understand the straight lines and the final production though lol
*It has a kind of retro Showa feel to it. It's muddy and you can see the intense thrusting, and you can just barely see the way it's coming out. I like this.
Seeing Kyoko Nakajima being forced to take it deep into her mouth by her husband is incredibly arousing. It's also great to see her mouth covered in saliva.