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My place is a frequent stopover for my sister's friends who miss the last train. They're all gorgeous and stacked, and my bathroom has a transparent glass door that reveals everything. I couldn't take it anymore, so I cornered her against the glass and went to town. The way her breasts pressed against the glass while I hit it from behind drove her insane—she couldn't help but beg for more.












Boobs pressed against glass. As a breast fetishist, this was an irresistible scenario.
*This is a series in which a younger brother becomes lustful after seeing a big-breasted, cute ``sister's friend'' in the shower through corrugated glass and rapes her. The first person, Shiori Mochida, does just that and repeatedly presses her breasts against Nami Glass. The second person, Sanada Sanada, then became comfortable and attacked her brother on the bed herself, but there was a challenge where she had to press her breasts against a glass table, which I thought was quite interesting. However, after that, Harura Mori and Nao Kiritani ended up having sex as usual after taking a bath. I was wondering what to do, At the end, Hoshizora Moma has sex in the hallway after the bathroom, and then shows the development of ``pressing herself against the mirror'' in her sister's room. The last part is just normal sex, so there are various challenges, but I feel like ``pressing your breasts against the glass'' was the only challenge. Since then, ``breasts pressed against the bathroom glass'' has become popular in various AVs, so I think this work was a pioneering challenger, but with ``Nami Glass'' I get the impression that it was just a challenge.
*At the beginning, I thought, what the heck, this is a work that has no special features other than glass boobs and creampie. However, it has many chapters, is full of speed, and has a different structure. It's good to have a variety of ways to show creampie. Surprisingly good work.
The direction is good, but the details make me go 'hmm...'. The second actress, the cover model (Mizuki Sanada), had the best body, so I had high expectations. The act in the bathroom was fine, but why go to the room? The concept is all over the place. You might argue, 'But they pressed against the glass table!', but no, that's not the point. Don't go to the bed. At least finish it in the dressing room. The first one (Nao Kiritani) had an attractive face, but her acting was a bit lacking. The actress herself was fine, but why lie down on the bathroom floor in that flow? And then, 'Oh, look, a mat!'—ta-da. We don't need that. If the bathroom is too small, just go to the dressing room. Do it while being nervous about whether the sister might come in. I didn't watch the third one properly because she's not my type (no offense), but the setting makes no sense. It feels like they just think 'anything behind glass is fine' and are going overboard. The fourth one (Harura Mori) didn't feel very charming in this. She was good in other works with pigtails. She was mostly in the dressing room. I don't dislike her. The fifth one (Moa Hoshizora), a Thai-mixed beauty, has a face that looks like it belongs in the Kama Sutra and a body like a statue in an Indian temple, but in the end, it's back to the bed... *sigh*... Her acting during the act was also a bit lackluster (I couldn't get into it, and I kept losing interest).
*I feel that Hunter's works are good when there is an exchange of words and gestures between women and men, which creates excitement. (Usually, the man gets an erection due to erotic clothing or body touching, and the woman who notices this also becomes interested) But what about this work? ? ? I thought. Even though the director is the same person, there is no exciting development with words or gestures, and it hits all of a sudden. So, the woman who felt it begged me in return. There was no particularly naughty conversation. It's no use criticizing a work from three years ago, but it's not Hunter's usual work. It may be a test, but it didn't work for me.