IESP-667 - 姉に恋した私 レズ解禁 日泉舞香

*Since the ban on lesbianism has been lifted, the play is performed in casual clothes such as loungewear and pajamas because the stage is set in the home, and the innocent behavior is amazing.

This is Director Kikurin's absolute masterpiece of lesbian cinema. You can read their relationship through the intro drama, dialogue, and progression. It shows how Kanna, who fell in love at first sight, becomes family with Maika, comes out as a lesbian, and gains her trust by claiming to have a partner (likely a lie) to put her at ease. The fact that they can talk about their sexual issues is significant. The scenes are divided into five parts: 1. Kanna approaches Maika, who wants comfort, as if to say, 'You knew what I meant by comforting you.' It's not the gross kissing seen in recent works. After the first kiss, she tries to use her tongue, but is rejected. Then, she pins the fleeing Maika against the wall, lifts her chin, and kisses her. The staging of kneeling between the partner's legs while standing is rare. 2. Maika is cute when she's flustered. She had to leave it to Kanna because she couldn't find an answer. The sex here is filmed very carefully. Kanna constantly checks Maika's eyes and proceeds slowly. (I'll run out of space at this rate.) Their unscripted acting is great. Maika's acting—confused by the changes happening to her but gradually accepting Kanna—is moe. 3. Kanna interrupts Maika's masturbation for sex. Kanna finally tells Maika she wants to be touched too. The first half, where Maika realizes her feelings for Kanna are 'love,' and her facial expression after overcoming the fear of touching a same-sex body (men wouldn't understand) are excellent. Kanna's acting is considerate—she's not always on top, often looking from below or lying beside her. 4. Returning home from an outing. They enjoy kissing; Maika's sexual tension is gone, her expression is soft, and her smile is so sweet it makes me blush. 5. A happy sex scene where they show off their love for each other. Misaki Kanna's acting is unlike anything in her other lesbian works, and it was wonderful. Hiizumi Maika's portrayal of her shifting emotions over time was superb. A masterpiece that I hope becomes a career-defining work for both.

*I feel like Karami is kind of quiet, but it's not that bad. The kissing scene on the stairs was exciting.

Both are actresses I like, and I really enjoy the soft vibe. The fact that there are no toys used is a huge plus! In lesbian works, it's great to see such beautiful actresses getting tangled up in such a sultry way.

*As others have said, it's quite soft. I watched it just for Kanna, but there wasn't much. It was an unimpressive work.