
I reunited with my cousin Aoi on the street. She was working as a photographer's apprentice at a local studio. As I visited the studio to model for her, I started developing feelings for her. The poses she demands become increasingly provocative, pushing me to my limits.




















A cameraman is a cheat code. You can stare intently at them through the lens, and the other person is also conscious of being watched. The fact that she's wearing hot pants with no panties underneath was also incredibly erotic and great.
I don't think the 'cameraman's cousin' setting was necessary. Given Aoi Kurugi's acting and lesbian technique, a 'training' style plot with Lara Kudo might have been better. Even if it was her idolized cousin, Lara Kudo accepted it all too easily... there was no sense of anticipation in the process.
Lara Kudo, who has potential beyond just the 'loli' genre, finally did a lesbian scene. And with the talented Aoi Kurugi? I had to buy it. But somehow, it just isn't erotic. It's a pretty lesbian aesthetic, but it lacks a climax. The 69 scene with Lara on top is the best part, allowing you to admire her unique loli-style backside, but it ended way too quickly. I really hope a director who understands how to film lesbian content gets to shoot these two again.
It was refreshing to see this kind of approach, and I especially felt the love in the scene where they perform cunnilingus in their underwear. Regardless, they're just so cute. I could watch these two forever.
Both Lara Kudo and Aoi Kururugi show off their charms well. But looking at it from a 'lesbian' perspectiveโI think those who truly understand the genre aren't just looking for the play, but for the romance between the women. If Lara shows pure love, Aoi shows the answer... that kind of vibe. Knowing it's more complex than a man-woman dynamic, if I sense hints of other partners (in their eyes, gestures, reactions), it feels off. It felt less like a lesbian film and more like a bisexual woman who just happened to fall for a girl.