AGAV-176
Record of a psychological sexual experiment using love bombing
SEX Agent / Mousouzoku2026.07.24
♥69
Premium Archive
IESP-686
IESP-686 - New female teacher's corruption, 20-round creampie party with students
4.4Rating
Reviews
Tuzi SakuraSakura, a new teacher, acts innocent by day but secretly messes around with her students during class. Under the pretense of 'relieving stress to focus on studies,' she's constantly servicing them. However, she gets caught by the vice principal who's been eyeing her, and now she's forced to become his sex slave.
*The red glasses remind me of her masterpiece, Fontine, and it's fascinating to see them side by side.
It was wonderful. A female teacher can't suppress her sexual desires and impulsively touches a student, gets blackmailed by a vice-principal who's been stalking her, gets forced by him, and then gets gang-banged by the students and colleagues he calls in. The instinctive pathetic nature of a female teacher touching a student is highlighted, which is interesting, but the vice-principal actor's performance doesn't mesh with Tsuji Sakura's charm at all. He interrupts her best moments, and the camera work and positioning are off, so the 1-on-1 ends without capturing her 'melting' charm. In the 4-man gang-bang, the presence of the student changes the vibe; it's not a 'secret among teachers,' and since there are multiple victims, it's not a 'secret between teacher and student' either. The vectors of excitement (student is angry, colleagues are just horny) are different, but the way they go about it is the same, so it doesn't really get exciting. The vice-principal should be leading, but one of the colleagues is too pushy, so instead of focusing on Tsuji Sakura, they're just satisfying their own anger and lust. The vibe changes every time the man changes, so they can't fully break her down or bring out that 'melting' state. Since the vice-principal, colleague 1, colleague 2, and the student all have different styles, there's no coordination, and the camera angles, composition, and positioning fail to capture good shots. It gets a bit better in the final one-by-one sequence, but the gap in the actors' abilities is obvious, and the way they tease the actress and the timing of the switches are clumsy. The most prominent issue is that the vice-principal's vibe is too 'hardcore,' making him stand out from the other three; his play feels like a completely different movie. Even if you changed the script, as long as the vice-principal's vibe stays the same, it's going to feel off... It's a shame because it's a core role, and it's a clear case of 'miscasting'.
