
Nana calls her estranged sister Noa back home after hearing their father only has three months to live. As they share the grief of losing their father, the bond between the two sisters quickly shifts into something much more intimate and forbidden.


















It's quite moving to see how Noa Sakaegawa has evolved. It's rare to see a real-sister setting in a lesbian film, but Noa really dives into the dynamic and her technique is excellent.
I couldn't tell from the cover, but she's on the chubby side. Hmm, a bit disappointing...
It takes a long time to get to the main event. She just keeps touching, touching, and touching some more.
*I always wonder, is this series influenced by the lifting of the ban? There is a strong tendency for actresses who are first lesbian partners to be modest in their aggression...This time too, it's the gal actress Noa Eikawa! Although the approach and the irritating approach are quite forced...the attack is soft after all! Despite the premature release of lesbianism, I didn't feel much of a change that could be expected in future lesbian works.
Noa Sakagawa's teasing is just wonderful; there aren't any flashy plays, but it's definitely worth watching. The kissing scenes are long and feel like she's savoring them rather than being vulgar, which I personally rate highly. The plot is mostly just a formality, but it hit the spot for me. This was my first time seeing Noa Sakagawa in a lesbian scene, and it makes me want to watch more of her work. I highly recommend this to anyone who loves kissing scenes.