IESP-740 - My sister-in-law's honey pot: Lesbian awakening

*Mari Ueto got really excited when she felt her pants getting wet.

*As the title suggests, this is a shocking lesbian work by Mari Ueto [Mari Koharu]. The other person is Azusa Misaki. Since this is a lesbian work, it was interesting to see how Mari would express the lesbian world that Azusa invites and leads. The work is divided into a first part and a second part. The story begins when Mari, who is lonely and alone on a long business trip with her husband, invites her sister-in-law Azusa, who is close to her age, to come visit her house. I guess the theme is that leftover food opens a forbidden door. Because they are close in age, they think of them as sisters. Azusa in particular was happy to have a big sister and had positive feelings towards her. Feeling lonely being alone, Azusa catches a glimpse of Mari masturbating in her bedroom and suddenly smiles. While the two of them are drinking wine and chatting happily, Azusa suddenly says that she will teach him how to drink wine deliciously, and steals Mari's lips and pours the wine into her mouth. Mari is shaken and surprised by Azusa's sudden action. Even though Azusa's rationality is working against her, she presses her lips over and over again and intertwines their tongues, as if to melt away her rationality. Mari's body gradually accepts Azusa's love for Mari instinctively rather than rationally. As if her reason was working and she could see through Mari's bewildered mind, Azusa spoke to Mari as if to criticize her. While whispering his immoral love for Mari, he tries to invite Mari to the pleasures of Sakai. The next morning, Mari was about to tell Azusa that what happened last night was a mistake, but Azusa pushed her against the wall as if to overwrite her feelings, stole her lips and told Mari how she felt, as they pressed their lips together over and over again, intertwining their bottoms, using her knees to stimulate Mari's pussy, inviting her into a world of forbidden pleasure, and Mari instinctively began to fall in love with Azusa. The theme of the second half seemed to be the communion of mind and body that deepens mutual love. Mari, who had feelings for Azusa, obediently accepted Azusa's request, and although she was embarrassed, she began to surrender her body and soul to Azusa, accepting each other's affection and loving each other. As if in response to Azusa's loving caress towards Mari, Mari awkwardly kneads Azusa's breasts and licks the area near her. Azusa took the lead and took the lead when it came to inserting her fingers there. And the love between the two became even deeper. With Azusa's skillful lead, it seemed like a pure love between two people with the same surname, even though Mari was trying it out as a lesbian for the first time.

*This is Mari Koharu's (Mari Ueto)'s first lesbian work, and it's also my first time seeing a lesbian work, so I imagined it to be artistic and mysterious based on the pictures I watched while watching it. Now, the answer to how Mari-chan opens the door to lesbianism lies in the first wine that appears. Azusa, who saw Mari-chan's hands alone and couldn't control her feelings for Mari-chan, said, ``Do you know how to drink delicious wine?'' She took the wine in her mouth and brought it to Mari-chan's mouth, and they started kissing. Mari-chan accepts Azusa's kiss without any particular reluctance, and even though it's an intense deep kiss where their tongues intertwine, it's not as rough as a beast like when deep kissing with a man, but instead you can feel the softness and gentleness that is typical of a woman.Also, the sound of their moans sounding double and harmonious makes her even more bewitching, and I was as excited as if I could be so excited just by kissing two women. The next day's kissing scene becomes even more intense. Mari-chan is still a little hesitant, but with Azusa's skillful words, she loosens up and awakens Mari-chan's latent lesbian instincts. Here, I would like you to pay attention to the expression on Mari's face as she is confused but gradually accepts it. "You really wanted to, didn't you? It seemed like you were waiting for me." These words from Azusa clearly express the blossoming of Mari-chan's instincts. The second half is an intertwined scene. Mari-chan, who was invited by a lesbian with a mouth-to-mouth of wine, now puts the wine in her mouth and kisses Azusa-san with a mouth-to-mouth kiss. From the intense kiss, to the intense licking of each other's fingers as if they were giving a blow job, to the scene where Azusa takes off the wedding ring from Mari's finger with her mouth and puts it into a wine glass, the scene is a picture-perfect scene because it is a lesbian work. Mari-chan becomes bolder and bolder, begging Azusa to spit on her, and when cunnilingus, she lifts her leg to make it easier for her to lick it, and the way she completely drowns in lesbian pleasure is well expressed. Even when Mari attacks Azusa, the way she fondles her breasts is innocent, and when she puts her finger in Azusa's pussy, Azusa invites her in. It was a wonderful work that conveyed the earnest lesbian play and seriousness while retaining the innocence that can only be seen in released works.

*I bought this because I love Azusa Misaki. To my delight, Ms. Ueto turned out to be an even better actress than I expected. Ms. Ueto is set as a married woman in Over30, but she's cuter than her fake photos. I don't have a small breasts fetish, but when I get excited, I can clearly see how my nipples protrude. Also, considering that lesbianism is prohibited, you can enjoy kissing and cunnilingus. I was also excited to see Misaki holding her legs and writhing in agony while Misaki licked her. She's a nice loli mature woman. Mr. Ueto was so proactive that I wondered if he had ever dated a woman in his private life. She is doing a rich cunnilingus that both of us can enjoy. The scene of a beautiful woman's face doing cunnilingus is the best scene you can see in a lesbian AV. I liked the way they intertwined, leaving one side completely naked one at a time. You can see Misaki taking off her panties twice, and the second time was especially naughty and sensual. This work has the highest quality among the lesbian release series. To be honest, I regret that there was no scene of Misaki incontinence (squirting?) that can be seen in other works. It was a movie that made me want to see more of Ueto's lesbianism.

*I just received it at a convenience store and when I got home and opened it, it wasn't Mari Ueto's check, but someone else's check inside. If this is the case, the regular version is sufficient. Is it bothersome to be forced to buy things you don't need at a high price?