
Noriko (Emily Okazaki), who was living a happy life with her husband, extends a helping hand to a disabled young man out of pure kindness—but that was the start of a nightmare. As she is repeatedly violated by the lust-filled man right in front of her husband, her body begins to respond to the pleasure against her will.












I thought that as long as Emiri-chan is cute, that's all that matters. To think they'd do that to someone so cute!! I've watched it multiple times. If you're a fan of Emiri-chan, you definitely need to buy this. It's cheap and you won't regret it.
*Emily, a young wife, lends train fare to a crippled man who was kidnapped. Later, Emily takes a man home to return the money, but Emily is suddenly raped by the man who is lustful. Next, while she was taking care of her husband who came home drunk, a man broke into her. She is fucked hard while her husband is sleeping, then taken to the next room and raped again. After that, Emily continues to forgive herself. In the end, her husband came home while she was being held by a man in a state of complete depravity. The man beats her husband down with a cane and then fucks Emily again in front of her husband. Overall not bad. Emily has a cute face, good figure, and sexy voice. However, she is a cunning woman in that she was writhing in agony while letting out a sweet moaning voice, but as soon as her husband saw her, she hated it and pretended to be a one-sided victim (lol) Also, the raper guy actually didn't have bad legs, but it's a shame that no background is shown about that at all.
The young, slender actress is well-suited for humiliation scenes (?), but her fake eyelashes are too distracting and kind of a turn-off. I wish they had gone for a more understated, young-wife makeup style like in Fuzuki's works. It feels a bit rushed that she falls so quickly to a second rape right next to her passed-out husband, but it's true that it allows for more erotic scenes than repeating resistance sequences. If they cast handsome actor Ittetsu Suzuki to justify the 'instant fall,' then the casting is acceptable. Another thing that bothers me is the classic scene where the husband returns while the heroine is climaxing; Ittetsu hits the husband with a cane but doesn't restrain him, leaving him just lying there, which feels unnatural. It's not like this is a Tanuma film, so the 'I don't care if the husband dies' attitude is risky, and I couldn't help but wonder why the heroine wasn't worried about anything other than 'don't look!'—it made it hard to get immersed in the scene. The ending is the same as other works in the series, just as expected. I wish they'd develop a more clever pattern for Ittetsu's appearances.
While Hanaoka and Tabuchi's performances are in a league of their own, I really love Ittetsu Suzuki's style of play as well. I was very impressed. First of all, this was my first time seeing this actress, and she is wonderful. Just watching her walk in the opening scene was a turn-on. Her face and figure are exactly my type—no complaints there. Emiri's eroticism gradually blossoms, and by the final bed scene, she's completely gone. Her moaning with that refined face was incredibly stimulating. I liked her so much that I watched her other works, but they aren't as good as this one. Personally, I don't find flashy, non-everyday sets or costumes arousing; they feel too cheap. I think an actress's charm is amplified tenfold when it's in a normal house, wearing modest housewife-style clothing, with a proper dramatic story.
A recent trend is that many of these films are indistinguishable from the 'Please Forgive Me' series, and this is one of them. Aside from the final scene where she's violated in front of her husband, it could easily pass for a 'Please Forgive Me' entry. If you're expecting a hardcore rape film, you might find it a bit weak. The actor is a young, handsome guy often seen lately, but he plays a stalker type, which is a different vibe. The feeling of a young wife being slowly broken down by a younger man is well-executed and not bad. In particular, the scene where the husband comes home drunk, and while the wife is carrying him to the living room, a rapist enters through the unlocked door and violates her right next to the passed-out husband, felt fresh and natural. The actress is beautiful and her moans are erotic. It would have been perfect if her fellatio and hip movements were a bit more proactive.