IPZZ-301 - Became a stalker wanting to become friends with a late-night convenience store part-time worker. Confinement and sexual assault in a childhood room at home. Sasaki Saki

I thought this kind of thing would be more direct, but going through a whole job interview and making them work at the same place feels a bit unrealistic. They drug her and take her to a room before things happen, so it's a shame there's absolutely no play in the convenience store.

Watching a petite beauty get dominated by a large (but not fat!) man is the epitome of size difference moe. The way his big mouth licks her slender fingers is just perverse. The last minute is straight-up horror.

まずは男優さん。情緒不鑑定、変な思いこみ、謎の線引き、仕事ができない(不慣れで)。一般的に想像される子ども大人を体現していたように思う。 次に女優さん。特に前半のことであるが、あの嫌がる、抵抗するところが本当に演技であったのだろうか。そう思う程であった。「許して」などと言うところや、涙を流すところは思わず感情移入した。 後半は諦めの境地に入って前半と比べておとなしくなる。それでも完全に諦めたわけでも堕ちたわけでもなく、隙をついて逃げようとする。ところがこどおじの母親がカギを締めたとこで部屋に戻される。この時の彼女の絶望感は測りしれない。 アルバイトの面談を応援するなど、ありきたりな母親だったのが話が進んでいくごとに母親のおかしさが表れてくる。 母親は子のしたいようにやらせる。それは良いことなのだがその境界線がずれていることを表している。ある意味でキーパーソンはこの母親だと感じた。 本作品での堕ちない結末は、後味は悪く初めてのことで新鮮だった。 正直何度も見ることはないだろうが、良い作品である。一度見てみてほしい。

There are a lot of things to point out, but they're all solvable with the setting. First of all, the convenience store manager and the protagonist's mother are in cahoots. Otherwise, the story wouldn't make sense. So, you don't have to worry about the convenience store's finances. The heroine lives alone, so no one cares. And since she lives at home, no one will know if she brings someone back. The bathroom issue is solved by saying there's one attached to the room. The face seen through the crack in the door that the mother closed at the end was truly chilling. The erotic aspect was also excellent, with the heroine remaining unbroken throughout. I really got the feeling she was being intensely disliked. This is a masterpiece, I'm telling you!

I don't feel any eroticism in this kind of work. It's a waste of a beautiful girl... I'll have to look for it in other works.