
Tired of her monotonous, childless life, Kiriko is tempted by a friend to try a companion gig for some extra cash. When she arrives at the meeting spot, she finds herself alone with a total stranger. She could have walked away, but her body was craving something more. Succumbing to the thrill, she crosses the line in this steamy encounter.








I think Kiriko-san is actually a pretty good actress. Her narration isn't robotic, either. She has fair, beautiful skin, small but soft sagging breasts, and her flicking tongue is very erotic. It's just a shame she keeps her eyes closed the whole time during the act. I think the story is well-constructed up to the first half, even if the 'I'm sorry, dear' expressions are a bit weak.
I'm actually quite into Kiriko Nio. As a fan of big breasts, the size was a bit underwhelming, but her expressions and the way she portrayed feeling guilty toward her husband were actually quite good. The white bra and panties suited her so well that even a big-breast enthusiast like me found it stimulating. The story is lacking, but between Nio's acting and the white lingerie, I wanted to give it a 4, but I'll settle for a 3 this time.
Kiriko has this mysterious charm where she doesn't come across as lewd even during sex scenes; she feels surprisingly pure. The plot is a mess—she somehow ends up as the exclusive property of some random landlord—but Kiriko's charm makes up for it, so it balances out. However, I'm deducting points because Tomomi, one of my favorite actresses, is completely sidelined. Overall, I'm being a bit generous with my rating.
*There is no need for supporting actresses to be involved. It's enough to hire a low-ranking actor from a theater troupe and just perform the introductory part. It is also amazing that the guilt towards her husband, as suggested by the title, does not appear in the work at all. I was able to see Niio-san as Madonna, which has excellent close-up angles. It's a shame that I only evaluated this point. I can't expect a director to make such a commonplace work. The title ``Danchi Wife in the Afternoon'' would suffice.
Since it was titled 'Companion,' I was expecting something along the lines of an orgy, but I was thoroughly disappointed. The scene with the middle-aged man in the second half was particularly cheap, like a low-end massage parlor knock-off; I was let down by the poor quality of the direction. On the other hand, Kiriko-san's writhing sexiness was great. It would have been perfect if she could have acted out the conflict with shame more, but it's a pity the direction didn't call for it. I'll look forward to her future work. Even worse was how they handled Nagai-san. I was expecting some kind of orgy in the second half, but it ended without any actual penetration, leaving me wondering what the point of the scene—including the male actor—was. I urge the director to reflect deeply on how they completely wasted such talented actresses.