
Rio has a perfect life with her husband, Kazuyuki. But she hides a dark secret: she only married him to stay close to his father, Shigeo. As she spends more time alone with her father-in-law, her suppressed desires boil over, and she begins to aggressively seduce him.








I usually don't watch drama-heavy titles because I prefer works that show the actress's natural side, but I gave this a try because I like Rio Hamasaki. ◎ Both the actress and the actor gave solid performances, so I actually enjoyed it more than expected. ○ I wish the H-scene with the stepfather had been more teasing and seductive; doing it just once at the end felt a bit lacking.
As an early Madonna drama, the camerawork and acting pacing are a bit lacking compared to later works. In a 'real drama' style, you need an 'on/off' switch for the eroticism. Just emphasizing the breasts all the time isn't quite right. I wanted to see a scene where she looks plain, then reveals cleavage to seduce her stepfather, or slips off her bra in a corner right before meeting him. But the fact that I'm complaining means it really stimulated my imagination—it's a masterpiece. A daughter-in-law approaching her shy, former-boss stepfather, saying, 'Actually, I like you more.' The sex scenes are filled with genuine emotional weight. Hamasaki is incredibly erotic and cute in every single frame. In the first scene with her husband, the sight of her nipples through her pajamas is excellent. (Manics love these little details.) The breast-focused foreplay is long and varied, which is great. In the second scene with the stepfather, I really wanted to see the visual seduction I mentioned earlier. I'm satisfied with the breast fetishism, but if she had said, 'I wanted you to touch me... squeeze them as much as you want!', it would have been perfect. The heat of 'our wish has finally come true' makes for a fulfilling, albeit standard, scene. The third scene features the atmosphere of a traditional Japanese house, soft lighting, Hamasaki's body, and the poses... again, very satisfying. The setup where she calls him to 'lick it clean' after urinating in a squat toilet feels a bit forced and weird. It would have been more 'father-complex' style if she had asked him to 'pick me up like a little child and wipe me.' The hesitant stepfather turning into a beast, forcing himself to lick her despite saying 'No, it's dirty,' is intense. The persistent cunnilingus is great. The following breast fondling conveys the 'I've wanted to touch these!' feeling perfectly. The two of them, having held back for so long, diving into their second time... If the last scene had a twist that made you think 'Are they done?', it would have been even better. The retail version has longer scenes, more breast fetish content, and more of the angel Hamasaki. The mosaic is also thinner. A must-have for fans. <Hamasaki Rio's works are so high-level that I'm grading on a curve. This is effectively a 10-star class film.>
Rio-chan's curvy body is the best. No matter which work you watch, those legendary breasts are always there. Since she's gotten a bit more voluptuous, she really suits the 'married woman' roles. The story is cliché, but if you're here for her body, it's perfectly fine. It's a shame she's retiring.
The hip movement in cowgirl position, the way her huge breasts bounce in missionary, and the deep-throated fellatio—every scene is erotic and gets me off. Personally, the scene where the husband asks for a blowjob after his bath, and the sequence from the bathroom urination in the second half to the end, kept me hooked without a moment to breathe.
I was heart-fluttered by Rio-chan kissing me and leaving at the end. I really love endings like this.