
Sisters Yui and Riona grew up under their father after their mother's death. Riona left home to escape her father's promiscuity, leaving Yui to care for him. When their father is hospitalized, Riona refuses to visit, harboring a dark secret: their father had violated her. Yui, fueled by jealousy and resentment toward her sister, treats her coldly. Yet, Riona, still longing for the sister she once knew, begins to touch Yui's body, hoping to reclaim the bond they lost through a forbidden, intimate connection.








At the start, it felt like the younger sister, Riona Suzune, was lesbian-training and breaking down her older sister, Yui Igawa, but the development shifts into them making each other climax in turns. Yui Igawa's offensive play is also quite decent; it's not bad at all.
Sister lesbian films are often hit-or-miss, but both of them have such beautiful bodies that this one is a masterpiece.
A letdown...
Sisters cross the line and awaken to lesbianism. 1. After a sisterly fight, they have a lesbian encounter in the entryway. The Showa-era atmosphere of the house and their 'young lady' vibe matched strangely well—it was good. 2. The older sister visits the younger sister's apartment for a lesbian encounter. 3. A lesbian encounter in the Japanese-style room at home. 4. The older sister is held captive. The younger sister treats her like a doll, and the older sister responds to that twisted love. 5. Uniform lesbian scene. Maybe the uniforms didn't suit them that well? It's a masterpiece that depicts forbidden sisterly lesbianism beautifully and erotically. Their acting is flawless, and the director's guidance must have been excellent. Aside from the uniforms not fitting well, there's almost nothing to complain about. I hope the director continues to make such high-quality works.
A work that showcases the true essence of Director Isaka, with a setting and story that rival the masterpiece 'Unrequited Lesbian.' It's a twisted love story where the complexes of two sisters—the eldest who longs for her father but isn't loved, and the youngest who is favored but rejects him—collide and overlap. The drama of love and hate through the two-person performance is Director Isaka's specialty, and he does it well as expected. Focusing on the story and proceeding calmly without any gimmicks might make it seem like an outlier in the AV industry. It might not be for users who prioritize functionality, but the eroticism is not neglected. Yui Igawa's slender body lacks visual impact, but it fits the tone of the film. Riona Suzune's acting is a bit lacking, but the overall quality is high.