Kaoru HirayamaKaoru, a housewife in a traditional crafts village, is addicted to the raw, masculine prowess of Itakura, a local carpenter. Their secret affair takes a chaotic turn when a group of craftsmen stays at her home. With their primal urges unleashed, the men descend upon her one by one, leaving her completely at the mercy of their insatiable lust.
*Kaoru Hirayama has big breasts, and her nipples are very sensitive. The male actors also know this, so they not only fondle her breasts, but also persistently play with her nipples with their fingers to stimulate them. She also screams "I'm going to cum" just by rubbing her nipples. If her nipples were bigger, about the size of a fingernail, you could suck them, pinch them, and twist them to make them even more erotic, but that's a bit of a shame. Even during the actual performance, the base of the actor's rod turns white with pussy juice, and the love juice flows further down from his butt. She is a lewd actress who screams out loud and really feels it. That's good. In the second half, the actors are a bit off-kilter and I'm a little disappointed, but the actresses themselves are very good. I regret that he has retired.
An AV with the exquisite aroma of fine soba noodles. It satisfies two of the three basic human desires simultaneously. A timeless masterpiece I'd recommend for any occasion—weddings, funerals, or even as a birthday gift for a friend.
The title sounded old-fashioned so I didn't expect much, but since it's a Mishima film, it really hits the right notes for a Japanese audience. The main scenes and other positions are filmed with care. I wonder if the editing during the main act was intentionally made to look Showa-era style. Kaoru-san's skill is well-showcased. She's one of my favorite actresses, so 4 stars.
無意味で余計な設定が邪魔をしてせっかくの女優を台無しにしている。 薫嬢に免じてこの評価。
The actress isn't particularly pretty or cute. Her breasts look firm, but the actor really grabs and kneads them properly. The sex scenes feel like the actor is just doing whatever he wants, which is a nice change from the scripted, thrust-heavy performances you see everywhere lately. It feels instinctive and raw. It’s closer to reality—like a 'do whatever you want' or forced scenario, almost like a rape fantasy. I look forward to more authentic works like this.
