
Hiding her identity as an investigator, Ryoko remarried, but her step-son Shinichi refuses to accept her and runs away from home. While searching for him, Ryoko is ordered to infiltrate the Hanaoka crime syndicate. Disguised as a secretary, she enters the mansion only to have a nightmarish reunion with Shinichi, who has already become involved with the gang. Determined to save him before he's lost forever, Ryoko decides to sacrifice everything, including her own body, to pull him out.








*You can enjoy the strong feeling of the investigator and the physique of a married woman, but the acting is not bad.
I consider this one of the best in the series, and it's actually what got me into the 'mature woman' genre. I felt a bit of resistance at first, but after watching more of this genre, she actually looks quite young by comparison. It might be the hair and costume, but considering some early works where actresses look even older, this is quite good. Among mature actresses of this generation who often have sagging breasts, her voluptuous, firm, and lively chest is incredibly attractive on its own. Her expressions, which seem to unconsciously seduce men, are dangerous. Personally, the scene where she shows off her cleavage before being captured by the enemy is very stimulating. While the actress's sexiness is the main appeal, the sense of immorality from being violated by her stepson is great, and the plot of her charging into enemy territory to get revenge on him is surprisingly well-crafted. The ending feels a bit forced in terms of flow, but overall, it's a well-made film.
*The sex with her son in the first half, and the torture she suffers after his true identity is revealed, are pretty standard. I think the crux of this work is the immoral pleasure of being played with by the person who killed my son-in-law, but I wonder if the power of medicine can at least make me feel compassion. There were plenty of scenes of torture, so as an S-minded person, I wish he had been trained to the point where he could ask for it on his own instead of using drugs.
Ryoko's glamorous body, her stylish panties, being violated, hung up, and teased endlessly with fingers. Criticizing the setting or the amateurishness of the son character in an AV is just absurd; if you want high art, go watch avant-garde films. The way she loses her mind and body to forbidden drugs and falls into being a woman of the gang is expressed in the final masturbation scene. What I regret is that I wanted a line where she goes from hating Oshimaโwho killed her sonโlike a snake or scorpion, to being corrupted into a 'free' woman by Oshima's hand through the power of the drugs. I wanted her to say something sweet like, 'Don't abandon Ryoko anymore, cherish me, I'll be your woman, I swear.' It should have ended with pregnancy as proof of absolute submission. I watched the whole thing without fast-forwarding for the first time in a while. It's been a long time since I got more than what I paid for. I enjoyed it ^^ I've already finished twice, and I'm going for another round now. I've forgotten all about the sex workers ^^
Given the title, it's natural to expect an image of a captured investigator enduring various forms of torture, but the content is just gang-bang sex with three men and a short vibrator scene. Consequently, you end up watching the same type of sex with Iori-san for a long time. Itโs honestly too lazy. That said, since only Takara and Tameike produce true 'nuryoku' (humiliation) content, this is surprisingly the most intense in that regard despite being a Madonna release. Is that the only selling point? Overall, itโs a letdown compared to the title. The director really didn't put enough thought into this.