JUC-602 - Public Transport Humiliation: Factory Wife's Commute Ordeal

Yu Shinoda has such a beautiful hip shape, she's perfect for groping scenarios! The way her glutes jiggle when she's being groped from behind—not the front—is just fantastic. The second half turns into a gang-bang style, which feels more like a rape scene; I much preferred the sexier, groping-focused first half. Tearing the stockings was a nice touch, too.

*In the beginning, the shorts that Yu-chan is wearing are flashy, or rather, are they printed? is colorful. When the molester lifted my skirt, it was exposed, but I was shocked to see it! Yuu-chan's underwear in this work are all in pretty flashy colors. My favorite is The molester's hand comes out from behind through her crotch and stimulates Yu-chan's secret place. Yuu-chan also put her left hand on her crotch to defend herself. Isn't this kind of composition rare in molesters? When he is molesting her, he verbally refuses and makes casual resistance, but When you are being fucked, you can easily take the cock in your mouth and suck it, Obediently straddle the man. I'm not impressed. At least turn your face away and refuse to put your dick in Yu-chan's lower mouth. I want you to show some resistance. As the title suggests, the story started with a feeling of "~Commuting Ryo~" This is like a frustrated young wife (even from her shorts) It has become a stress relief diary!

*It's a work from 10 years ago, but Yu-chan hasn't changed much. Her beautiful breasts and butt are still intact. However, V has a mysterious atmosphere, and the story reaches its climax without feeling like it's a delusion or a dream, the presence of a male colleague who appears at the end, the phone call from her husband at the end, Is it all just an illusion?

Any work featuring Yu Shinoda is 20% more erotic, so you won't have any trouble getting off. However, given the runtime, I feel like there could have been one more main scene instead of just two. The story is simple enough, after all. That's the only disappointing part. The expression at the end is something only she can pull off. It must be her unique eroticism and natural talent.

This is my first time seeing Yu Shinoda. She has a slightly chubby face and is quite cute. The vacant look in her eyes when she's being fingered by a pervert looks like she's seducing me. She gets caught by a colleague with a vibrator planted by the pervert and gets ravished, but her resistance is only verbal, and she even lifts her skirt herself—it almost looks like she's asking to be ravished after being pleasured by the pervert. Story-wise, it's a masochistic work, but there's no sign of genuine resistance, and it's so obvious she's enjoying it that it doesn't feel very erotic during the sex scenes. The drama part does a good job of portraying the masochism, but it's a shame that nothing happens with the man suspected of being the pervert until the end—perhaps due to runtime constraints. The scenes ranging from the groping in a white blouse and tight skirt to the rape, and the final gang-bang scene on the bus surrounded by colleagues, are exciting enough that you won't have any trouble getting off to it.