
Rei, devastated by her husband's sudden death, finds solace in her mother-in-law Marina's arms at the funeral. Little does she know, Marina has been harboring a twisted, forbidden desire for her all along. As the funeral rites continue, Marina begins a relentless process of seduction and corruption, turning their shared grief into an insatiable sexual obsession.








Even with the widow premise, I don't think they needed to do it in front of the Buddhist altar. Matsumoto-san's seductive acting really stood out, though. The intense, mutual longing in the final scene was great.
While the intensity of the scenes isn't the highest in this series, the setting—mourning clothes and a Buddhist altar—really heightens the sense of immorality. It's a pity the navel licking was so light.
There are almost no good lesbian scenes with Aoki Rei. There are 4P lesbian scenes or 'pickup' lesbian scenes, but they're just trashy scenes that rely entirely on toys. The fact that her partner is a bit of an 'old lady' is a slight turn-off, but her face is decent enough, and the cunnilingus is not bad.
*Marina Matsumoto's attack on Rei Aoki was very good. It was like my mother-in-law recognized my wife. A woman taught me what a gentle attack on a woman is like.
For a Madonna production, this is bad. The content is just too dark. The premise of messing with your wife during a funeral is impossible. There’s no way people wouldn’t notice. Even for an AV, it’s as unrealistic as a person flying through the air.