
On a family hot spring trip, Lisa tries to comfort her father-in-law, who is mourning his late wife. However, he has dark intentions. With her husband sick and asleep right next to them, the father-in-law takes advantage of the situation, forcing Lisa into a silent, illicit encounter.








She's got a great figure and her face is exactly my type... it's strange I haven't had the chance to watch her until now. The story is mediocre, but the sex scenes are satisfying.
As others have said, the story is definitely mediocre, but there's something strangely arousing about Risa Kasumi's 'housewife' vibe and the way she gradually gives in despite her initial resistance. The final scene where she's forced into it while wearing a yukata was exciting, especially the way she carefully performs fellatio at the start, making it feel like she's accepting it. I also liked the part where she initiates the kiss at the end. That's why I keep rewatching it. Though, it might be tough if you're not a fan...
This long-running series by director Norihiro Takeuchi ends with this installment. I was hoping for a masterpiece to cap it off, but I was let down. Casting Risa Kasumi as the daughter-in-law was a good choice, but the story is poorly written, making the father-in-law look like nothing more than a perverted old man. The scene where he sleeps with her while the husband is at the public bath, and the white fluid oozing out and coating his cock during the thrusting, was the best and most erotic part. However, it's a shame she didn't fully succumb to the corruption. Despite Ginji Sagawa's best efforts, Risa Kasumi didn't really get into it, making for an unsatisfying finale.
The actress has the perfect vibe for this role, but even if she's being taken advantage of at an inn during a 2-day family trip, it feels too rushed to really capture the 'tormenting the beautiful daughter-in-law' theme. She is definitely being violated by her father-in-law, though. The intro is a mess, with the father-in-law in a yukata without underwear showing her 'that' during a massage. The first sex scene happens at night while the son is sleeping right next to them, so the daughter-in-law's resistance dialogue is weak and the scene lacks tension. The second sex scene also starts from the same yukata-clad setup, giving a strong sense of déjà vu. Furthermore, the ending is unclear—it's hard to tell if she's been broken or if she's just resigned to her fate. Usually, 'tormenting the beautiful daughter-in-law' works best when set at home; I think it's a stretch to try and make a series out of just two days of content.