JUC-912 - Breeding Two Moms: Double-Teaming My Stepmom and Biological Mother

*Manji's (Manjiro Yamada) mother, Shihori Tsuyado, leaves home for work, and his father, Ryoichi Sasaki, remarries the young Kaori Otonashi. Manji rebels against both Shihori and Kaori. Shihori's young new partner, Tomoma Okumura, approaches her. In the kitchen, Kaori is raped from behind by Tomomi in front of Manji, and is given a blowjob in the doggy style, backward cowgirl position, face-to-face cowgirl position, and a chair take, followed by a cleaning blowjob. Shihori, who tries to get Manji back by seducing Ryoichi with sex tricks, straddles him in cowgirl position in a Japanese-style room, has his tongue cum in the sitting position, standing back position, doggy style, and missionary position, and swallows his cum. Kaori is completely naked and admired by Manji and Tomoma, and on the veranda outside the Japanese-style room where Shihori and Ryoichi are huddled together, Manji finger fucks her, cums in her mouth, and cums inside her mouth. In the room next to the Japanese-style room where Ryoichi is having drinks, Kaori is folding laundry when she is attacked by Manji, who attacks her nipples and clitoris with a rotor, thrusts a vibrator into her vagina, and makes her cum by shaking her clitoris with an electric massager. Manji ties up Shihori's hands behind her back in a Japanese-style room, and makes Kaori cum in front of him with his fingers. Shihori ejaculates in her mouth and gives Kaori a cleaning blowjob. We put him in fishnet stockings, put a collar on him, and put him on a leash in a dimly lit hallway.Hori and Kaori make him lick his legs, testicles, penis, and nipples, give him a titty fuck, and give him a double blowjob and ejaculate in his mouth. Kaori, who was sleeping next to Ryoichi, was taken out to the porch. I take off the slip, put on the collar, make him crawl on all fours, and bring him into the Western-style room. Shihori, who was already completely naked and wearing a collar, lined up her buttocks and slapped him, then finger fucked him. Double kiss and have nipples, penis and testicles sucked. Kaori licks her anus while Shihori is getting deep. While poking Kaori's throat, Shihori licks her anus. On the sofa, we put Kaori on top of Shihori and take turns. Shihori licks her nipples while pushing Kaori up in cowgirl position. While Kaori rubs her earlobe, Shihori shakes her hips in cowgirl position. Shihori licks his testicles and intertwines their tongues as he thrusts into Kaori in missionary position. Kaori cums on her tongue and Shihori gives her a cleaning blowjob. If you pull the leash and make him sit down on the floor, and vent your resentment, saying, ``This is not the kind of pain I feel,'' he will apologize to you, saying, ``I'm sorry.'' During the day when Ryoichi is not around, Shihori and Kaori, who are completely naked and wearing collars, are made to wipe the verandah with water.

The main content consists of three sex scenes: Otonashi's first scene (with Endo's lover), Endo's first scene (with Otonashi's husband, filmed simultaneously with Otonashi's oral scene), and the scene with both Otonashi and Endo (with Endo's son). Perhaps stimulated by Endo's sexiness, Otonashi's performance—acting reluctant while still engaging—is very erotic. Both are very active in the final 3P, making it easy to stay focused. It's a work that makes me want to see them perform together again.

*The script has changed quite a bit from the first movie. The mother-in-law is a perverted masochist who enjoys being raped by her mother's pimp. His real mother is a selfish lewd woman who uses her son and sleeps with men for money. Both of them are so bitchy that the son who gets angry looks more normal. Each Karami effectively utilizes a large number of performers to create an abnormal feel. Although there are mother's strings and father's ties, the son is the main character. It's not shaky, and the plot isn't bad either. The acting of the two mothers also feels more natural than in the first film, starting with resistance. The forced depiction of characters has been improved, and I get the impression that it no longer has a half-baked literary feel. Kaori Otonashi's acting pales in comparison to the great veteran Shihori Endou. I feel sorry for him, but I think the overall level was high.