
Former volleyball teammates Saki and Erika shared one final, intimate night before Erika suddenly quit the team. Years later, Saki is now a housewife when a desperate, bankrupt Erika shows up at her door. Seeking to comfort her old friend, Saki offers a different kind of solace, leading to an even more intense and provocative rekindling of their past desires.








I expected more lesbian scenes with uniforms or bloomers based on the cover art, but it wasn't really there. A bit disappointing.
I like Madonna because their story-driven films have a clear beginning, middle, and end. This one is no exception; even though she's an unknown, Koka is a beautiful actress with a great body. Aoyama was also a great actress in her own right. However, there's a continuity error where she goes from being naked in the kitchen to wearing full-body fishnet stockings when they move to the bed. Is that just how AVs are?
It was a good performance with great chemistry between Takashita and Aoyama. Both of them show off their tall, mature lesbian dynamic with some great eye contact. However, unfortunately, the cameraman didn't seem to realize they were tall. The close-ups of the lesbian kissing, the genitals, and the climax faces were all shot without any regard for their height. In other words, the camera almost never pulls back to capture the full picture. It was a video that made me want to shout 'Third-rate!' It completely killed the appeal of the actresses. Recently, there have been more lesbian titles featuring tall actresses, but none of them properly use wide shots to capture the beauty of two tall, long-legged women together. If you're going to film tall actresses, you need a cameraman who can see the forest, not just the trees. This just confirmed that third-rate cameramen can't handle it.