
Shigoto ni kamakete katei o kaeriminai otto ni aisō o tsukashi, moto-kare to no fuki de yokkyū fuman o hassan sasete ita tsuma, Kaori. Ippō, musume Saki to no kankei wa enman de, omotemuki wa heiwa na katei seikatsu o okutte ita. Shikashi hakyoku wa totsuzen otozureru. Musume no kareshi Ippei ni furin ga barete shimai, himitsu no daishō ni karada o motomerareta no da. Otto ya musume ni shiraretakunai isshin de Ippei no iinari to naru Kaori. Sono hi kara musume e no zaishakukan ni kashamarare nagara honobasareru kutsujoku no hibi ga maku o akeru...










It's a well-made 'mother' themed work. The landing strip is clean, the mosaic work is careful, and it's packed with highlights.
The highlight starts around the 79-minute mark with Otonashi's masturbation, followed by the daughter's boyfriend joining in. From around 100 minutes, the scene with the boyfriend unfolds on the living room sofa in the sunset. These 30 minutes leading to the end are the best parts of the film: spreading her shaved pussy to shove in a vibrator, or making her climax with fingers and cunnilingus. Otonashi is completely at the mercy of the daughter's boyfriend, opening her body just as she's told. I was able to fully enjoy Otonashi's erotic body through the truly beautiful cinematography.
Kaori Otonashi is a great actress with the kind of eroticism and beauty you'd expect from an AV star. Her lines like 'I'm gonna cum, I'm gonna cum' during the scenes are great, and she's a good performer. Her bewitching lips are especially attractive.