
Married woman night crawling festival.










However, it's not great throughout the entire film; there are just some moments that really draw you in. It's definitely not bad, though. The actress is sexy and has a great body. Using a Tengu mask in this day and age! I have to admit, that was exciting. It's a setting you don't see very often. Overall, it's well-made.
The setup is a guy sneaking into her room at an inn. Nana-chan opens her yukata to reveal her huge breasts, and she's wearing sexy lingerie underneath. Looks delicious. Nana-chan struggles, muffling her moans. Using a Tengu mask (especially the nose) to tease her mouth and privates is strangely arousing. Nana-chan gets 'ambushed' by two men at night. Even while saying "No," she moans in pleasure, "Ah, I'm coming!" Nana-chan is at her best playing the mature woman who tries to resist but eventually gives in to pleasure. She's truly a wonderful woman. Also, Nana-san's cowgirl position is great. Watching her bounce those big breasts while struggling with an expression of suppressed pleasure is just lovely. However, regarding the production, for the final night ambush, I would have preferred to see Nana-chan being toyed with by three or more men instead of just two.
Based on the premise and the title, I was expecting something a bit more sinister, but it wasn't quite that.
*Nana ends up staying at a hot spring inn on a short trip with her husband. While sleeping, she is suddenly attacked by a man wearing a tengu mask. It is said that at the village festival held once a year, men can have sex with the women they like. Nana is raped while her husband is sleeping while desperately suppressing her voice. The next morning, the two of them fucked each other... Nana is quite beautiful and her plump, ripe body is indescribably sensational. Although she is reluctant to be raped by a random man, she seems to like sex itself. At first, she may resist lightly, but once the fire is lit, it spreads endlessly, and the sight of her writhing in agony is quite exciting.
Nana herself isn't bad material (though she's several tiers below the 'Big Four' of Sho, Miku, Asami, and Julia). First off, cutting 30 minutes from the rental version is incredibly unfriendly; it treats rental customers like idiots. As for the content, it's completely unnatural for Nana to be moaning that loudly in the bedroom while her husband lies right next to her like a dead fish. They should've used a ryokan bathroom or a separate room. The male actors, Chintaro and Pierre, offer zero freshness, and their approach is extremely lackluster. Madonna's Aida works are often disappointing. I wish she'd appear in something like Attackers' 'In Front of My Husband' or 'Forgive Me, Dear...'. Also, I'm busy and want to watch it all at once, so adding copy protection to new Madonna releases is just tacky. Sorry to lower the rating, but given all these factors, it's a 'very poor' rating.