
A married woman's secret affair with her husband's subordinate in a cramped room.












Her face is pretty and cute, but from the neck down, it's like a completely different person—a massive, bloated body. That imbalance is this actress's signature charm.
Even though it was filmed in a tight space, it’s shot so well that you don't notice any lens aberration like in the old days. The sense of confinement, combined with her voluptuousness and the close contact, really brings out the eroticism. There isn't much dialogue, but Mako Oda has the power to carry the film just with the intensity of the act itself. It's wonderful.
*Of all of Mako Oda's works, this is the time when she has the most flesh, and her breasts and buttocks are firm and wonderful. In addition, the close contact in a small space, the intertwined kisses, and the expression on Mako Oda's face as she surrenders herself to pleasure make this work even more exciting. This is considered to be one of the top works by Mako Oda.
*I'm jealous of the actor who can massage Mako Oda's big boobs and butt. I pulled out in the scene where she was thrusting doggy style in the closet and fondling her breasts.
I watched this because the previous entry in the series starring Ai Sayama was surprisingly good, and this one is just as well-made. With intense kissing and intimate scenes, plus great camera angles, I enjoyed it thoroughly without skipping a beat. Is being busty a requirement for actresses in this series? If so, I'd love to see entries starring Touka Rinne, Reiko Kobayakawa, Yuuri Oshikawa, Kanna Shinozaki, Eri Takigawa, Meguri, Kaho Imai, and Maria Nagai.