JUL-228 - 潜入捜査官NTR ターゲットに溺れた妻の衝撃的寝取られ映像 妃ひかり

Usually, undercover investigation AVs follow the classic trope of infiltrating a villain's hideout, getting captured, and being ravaged by a group of thugs. This one was different; instead of being gang-banged, it focused entirely on the sex between her and one man. However, the variety and intensity of the sex scenes were great, and the drama was well-crafted, making it very engaging. I was very satisfied with this one.

*A work by Hikari Hime, who became an undercover investigator. The target is Taiki Takeda. Hikari is beautiful in a red dress. Mr. Takeda enjoys having his erect nipples licked and sucked. The white peach from the thong is beautiful. The rod licking is also sticky. I feel like the story unfolds too quickly, but Hikari-san is so attractive that it doesn't matter (lol) Even when her co-worker is arrested, Hikari-san is firmly with Mr. Takeda. Hikari-san, who just keeps getting involved, is so erotic that it bothers me. Admire her beautiful expression, breasts that are worth massaging, dark jungle eyes, and plump buttocks.

*It's been 5 years since she started as Princess Hikari, and she made her re-debut (many times...) with Madonna, and has released more than 10 works, but this one was actually the one I was least looking forward to. Expectations were low because of the director and actor. After Aipoke's "Business Trip Shared Room NTR", the format became a craftsman. Both S1 and SOD are works like Kintaro Ame. They mass-produce dramas (that can't be called anything) that rely on sex and aphrodisiacs and abandon confabulation. They just fit actresses into the format and have nothing to do with careful drama making. The same goes for the actors, who give the impression that they are unnecessarily violent and unable to act and play to the best of the actresses' strengths. The excessive moaning during the play is also unpleasant, and coupled with the intrusive play style, it's the actress that I want to watch...but I get tired of it every time. However, fortunately, the director was Madonna, who has a lot of solid storytelling, and the actor was Hikari, a seasoned veteran who plays the opposite role. Even the ``noisy'' play that doesn't suit the opponent, Hikari's ability to take it in and turn it into a very natural yet sexy play doesn't even bother the actor's smugness in this work. The plot is as described in the work's introduction. A bewitching and dignified investigator contacts the target, Takeda. He was a co-worker of mine who used to have plastic surgery...They spent the night together, and when she woke up the next morning, he was gone. He rescues her husband, who is also an investigator, and is told by phone that he is a double agent chasing the same person as Hikari and her friends. Hikari here has a completely female face. When she leaves the casino with her rescued husband, she looks beautiful in return, and the sad expression on her face as she thinks about him is also outstanding. This is a high-quality drama with a high sense of satisfaction, with both character development and plot development intact. In addition, without relying on aphrodisiacs, sexy sex, or unfaithful bosses, the play is a hybrid work full of highlights and highlights typical of this director (and actor). I will not go into details about the play we had together "for one night" as I ran out of words. Hikari's sex appeal is on full display from start to finish. The first time, he fell into pleasure due to the feeling of suffering, and even though he pointed a gun at him, he started giving blowjobs after his feelings changed, saying, ``I can't shoot you.'' In the shower scene, both actors play a play that even feels warm, as if their old sense of distance and feelings have returned, and a rally of repeated insertions and blowjobs. At the end, the two are hungry for each other. A meaningful play with different attractions develops, with Hikari being attacked with full eroticism with perfect technique and emotion in both kissing and blowjob, climaxing and convulsing... Hikari's expression of emotional changes is perfect, and both actors are impeccable in their erotic play. ☆∞.

It's been a while since I bought a work by Kisaki. Her seductive acting is top-tier. I was disappointed there weren't as many intense kissing scenes as in her earlier work, which was always a highlight for me. The production itself is solid, though. She left Madonna for another studio, but personally, I think her Madonna works were better. It is what it is, though.

This is a work that mixes an undercover agent setting with cuckold elements. Honestly, I wish they had blended these two elements better. It's a shame that neither was fully utilized. However, the concept has a lot of potential, so I hope they refine the content for the next installment.