JUL-250 - 裏アカウントNTR とあるSNSに投稿された妻の衝撃的浮気映像 枢木あおい

The story was interesting. Aoi Kururugi is a great actress with incredibly erotic nipples.

Finding out about your wife's past through social media. As someone who has experienced this, it's a work that makes my heart ache while my cock gets rock hard. I still vividly remember the shock of secretly watching my wife's phone videos when we first started dating. A video of her being grabbed by the hair and taking a load in her mouth. A lewd video of her on all fours with a vibrator shoved into her pussy, with fluids dripping from her wet hole. Looking closely at the close-up of the raw penetration and creampie... it was actually screwed into her anus. Women have much more intense experiences than men think. By the way, my ex-girlfriend had 3P experience. It's said that the standard for a woman's number of partners is half of what she claims. My wife said she had 3, but that didn't count her time as a boss's mistress or her mistake with a coworker. The last one is probably... the guy in the video. Every time I watch this kind of AV, I find myself masturbating while thinking about women's pasts.

*This is a work where even a couple in the midst of their newlywed life encounters someone they don't know, and they are made aware of this through video. The video-based development that gradually became more extreme was very erotic. I think it was good that the ending was not only about past videos but also about the present tense. It might have been interesting if she developed into a bitch-like character, drowning in pleasure even though she didn't really want it.

The deep kissing is extremely erotic. The actress gives a great performance, but I was disappointed that the male actor wasn't mosaicked. Like in the director Maltz's series, I wish they would hide the male actor's face since it's not something I need to see.

The husband whose wife is being stolen and the actor doing the stealing are both regulars, which might feel a bit formulaic, but there's a sense of reliability. Within that, Aoi Kururugi gives a great performance, acting charmingly from before marriage to after. Rather than being a striking beauty, she has a cute, approachable face, like a girl you'd see anywhere, but in the sex scenes, she suddenly becomes incredibly erotic; the gap between her appearance and her performance is captivating. In the sex scenes, the dialogue—mentioning she has a boyfriend before marriage and a husband after—adds a nice spice, and the direction hits all the right notes for a netori work. At the end, when she's caught by her husband, she returns home with a hickey despite her protests, and the ending where the husband stares at that hickey leaves a lingering impression. (It stimulates the imagination about what the husband will do next.)