
Yuka, left alone with her son Yohei during her husband's business trip, becomes the target of Yohei's bully, Yuki. Discovering how attractive she is, Yuki hatches a plan to seduce her. Deprived of intimacy, Yuka finds herself unable to resist the young, aggressive intruder, falling into a cycle of forbidden pleasure.










*This is a work about a mother being cuckolded by a bully. The definition of cuckolding between a son and his mother is ambiguous, but can it be considered a cuckolding work? I think it was good to see that at first he started to see his son as a classmate, but gradually he started to see him as a man.
If you're a fan of Yuka Oshima, you absolutely have to buy this! She's writhing even more intensely than in her 'After the Graduation Ceremony...' work, which was really great.
She says 'no, no' and 'don't, don't,' but she accepts it from the start, so it's basically consensual sex. The story is non-existent; it's just for enjoying Yuka Oshima.
The look on Oshima-san's face when she hears from her son that he's being bullied by Yuki-kunโshe perfectly captured the inner conflict between her love for her son and her own honest feelings, just through her expression. She's a great actress, even outside of the sex scenes. Yuki-kun, her partner, played a more aggressive character than usual, and their chemistry was good. They say 'if a dog walks, it'll eventually get hit by a stick,' and it seems like whenever I buy a FANZA title, I end up with Yuki-kun. He's not my personal preference, but he was good in this one.
This is Yuka Oshima's 67th work and the first in the series, 'My mother, who is bullied by my classmate, gets NTR'd.' I bought it as soon as it was released. The plot follows a mother living alone with her son while her husband is working abroad; she visits the home of the classmate who bullies her son and ends up being forced into sex. My favorite part is the first scene where the mother, played by Yuka Oshima, initially resists but eventually succumbs to the pleasure. Her facial expressions are as brilliant as ever, and her body's inability to reject the sex is captivating. The transition from denying the act to accepting it is masterfully performed. Highly recommended for those who love Yuka Oshima's wide range of expressions.